A Quote by Nyle DiMarco
Often in the past, when we have had a deaf person in the spotlight, we have been portrayed badly. It was up to me to change that.
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I'm a proud person who happens to be deaf. I don't want to change it. I don't want to wake up and suddenly say, 'Oh my God, I can hear.' That's not my dream. It's not my dream. I've been raised deaf. I'm used to the way I am. I don't want to change it. Why would I ever want to change? Because I'm used to this, I'm happy.
The deaf community is nearly never portrayed accurately on television/film because most writers never took the time to immerse themselves in the deaf culture before portraying it on television. They also never got to know their deaf actors.
Any film I do is not going to change the way black women have been portrayed, or black people have been portrayed, in cinema since the days of D.W. Griffith.
The top two for me are Spotlight and The Revenant [movies]. Everything says The Revenant, but Spotlight is special. I think this movie would have been a lot more jumpy and fast-faced if anyone else had done it. This movie is very unassuming in how powerful it is. It very calmly, and very cooly, eats you up inside. I think if there's anything that will upset the Revenant run, it's gonna be Spotlight.
It was great for me getting a chance to grow up as a normal kid just out of the spotlight, versus all of them growing up in New York. They always had that intense media and spotlight on them.
Before working with Deaf West, I had never met a deaf person, and now I can't imagine life without ASL.
I wanted to start over completely, to begin again as new people with nothing of the past left over. I wanted to run away from who we had been seen to be, who we had been... It's the first thing I think of when trouble comes - the geographic solution. Change your name, leave town, disappear, make yourself over. What hides behind that impulse is the conviction that the life you have lived, the person you are, is valueless, better off abandoned, that running away is easier than trying to change things, that change itself is not possible.
I grew up with deaf teachers, and I thought all deaf children should have exposure to deaf educators.
I know a little bit about deaf culture because a friend of mine has been in the deaf culture for awhile. Over the course of 25 years, she and I have talked about many of the issues and concerns for deaf people and deaf culture.
There have been times, lately, when I dearly wished that I could change the past. Well, I can’t, but I can change the present, so that when it becomes the past it will turn out to be a past worth having.
little every-day courtesies are called the small change of life; but we should be badly off in trade if we had no small change, and must always deal with twenty-dollar bills; while the small change mounts up to the great sum in a lifetime.
I had to change. I had to change was the thought that drove me in those months of planning. Not into a different person, but back to the person I used to be—strong and responsible, clear-eyed and driven, ethical and good. And the PCT would make me that way. There, I’d walk and think about my entire life. I’d find my strength again, far from everything that had made my life ridiculous.
I watched every single Bond movie three or four times, taking in everything I could about how the character had been portrayed in the past, then threw all that away once I started doing the role.
I couldn't do my show without spending 12 years on the streets of Humboldt Park. It made me a better interrogator. Still, if they had taken me out of my squad car and gave me a show, I would've been terrible. But on 'Springer,' the spotlight was on Jerry and I got to grow up within the show.
I wanted to be a ballerina so badly. You can be seen and take over the spotlight without speaking. I had a fear of speaking in public back then.
I'm the type of person that, when it's my time in the spotlight, I'll do my duty in the spotlight. When it's not, and it's another person's time, I'll go away.
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