I am not a spokesperson for the trans community, I am not. The media kind of projects me as being the spokesperson, but from my standpoint, I am not. I am a spokesperson for my story, and that's all I can tell.
I am fourth-generation deaf, which means everyone in my immediate family is deaf. So I grew up always having 100 percent accessibility to language and communication, which was wonderful and something so many deaf people don't have.
I am fourth-generation deaf, which means everyone in my immediate family is deaf. So I grew up always having 100 percent accessibility to language and communication, which was wonderful and something so many deaf people dont have.
I grew up in a really musical house where all of my brothers and sisters could sing, but I couldn't sing. Not only could I not sing, I couldn't hear pitch. I was totally tone deaf - legitimately, one hundred percent tone deaf. Nevertheless, I loved music.
I've been involved in the deaf community for years, and my friends in the community that are actors or performers get very frustrated when they see hearing people portraying a deaf role.
This is ten percent luck, Twenty percent skill, Fifteen percent power of will, Five percent pleasure, Fifty percent pain, and a hundred percent reason to remember the name
one hundred percent of the bishops who oppose the repeal of anti-abortion laws are men and one hundred percent of the people who have abortions are women.
I think I've kind of been mistaken for somebody who's trying to be a spokesperson for animal rights, and the fact is I'm not qualified to be a spokesperson. I am passionate about it, but I'm not trying to make other people do what I do.
The deaf community is nearly never portrayed accurately on television/film because most writers never took the time to immerse themselves in the deaf culture before portraying it on television. They also never got to know their deaf actors.
There are many issues within the deaf community but, for me, none more important than access to education for deaf children.
I started to realize that there are a lot of people who are unaware of deaf culture, and I've been given a great platform to reframe the deaf community.
If you enjoyed laughing in the face of death, you might like to have a crack at High Saffron. One hundred merits, and all you have to do is take a look.' 'I understand there's a one hundred percent fatality rate?' 'True. But up until the moment of death there was a one hundred percent survival rate. Really, I shouldn't let anything as meaningless as statistics put you off.
Someone said to me, 'If fifty percent of the experts in Hollywood said you had no talent and should give up, what would you do?' My answer was then and still is, 'If a hundred percent told me that, all one hundred percent would be wrong.'
It was intimidating to play a deaf character. There's a whole culture in the deaf community and I really wanted to know a lot about that and honor it in the work.
One of the things I did when I was in New York, which has a wonderful deaf community, is I have worked on making Broadway more accessible to deaf people.
I am a hundred-percent Indian traditionalist! I am not "playing anything" - that is for the media to be able to say what I am doing.