A Quote by O. J. Mayo

A lot of people who went to SC didn't play ball - people who do films, lawyers and doctors, people who do things in real estate and business. There's a lot of people that make things happen out here.
There are a lot of very flamboyant and outlandish people and attention-seekers in L.A., and I think that's what makes L.A. appealing. A lot of people are attracted to come here to do things and make things happen and the city seems to attract larger-than-life characters.
Probably because I'm bald. Don't the bald people always play doctors and principals? Yeah, isn't that funny? And lawyers. A lot of lawyers and judges.
I'm not really into religion, OK. I saw a lot of things I did not like when I got into organized religion. I think a lot of people abuse it, I think a lot of people use it, I think a lot of people make it what they want. And me, my faith and my relationship with God is very personal. And it's not anybody's damn business how we talk.
This game's a lot easier early on in your career because people haven't seen you play. Things got a lot harder when people saw what I did with the ball and began to think about how to bat against me.
Generally, with films, what tends to happen is that a few people get a lot of momentum out of it, and a lot of people don't.
Generally, a lot of the things people think are made up are real, a lot of the things people think are real are made up, a lot of the things people think are spontaneous are cleverly faked, and a lot of the things people think are fake are spontaneous.
There are people who make things happen, there are people who watch things happen, and there are people who wonder what happened. To be successful, you need to be a person who makes things happen.
There are people who make things happen, there are people who watch things happen, and there are people who wonder what happened. To be successful, you need to be a person who makes things happen.
There are generally three kinds of people in the world. People who make things happen, people who watch things happen, and people who say, what in the heck happened.
The time that I took between 'Cocktail' and 'Happy Bhaag Jayegi,' a lot of people told me, 'out of sight is out of mind,' and I was like 'Okay, maybe.' And it did happen. Because I wasn't around, people just assumed I was doing other things and was not interested in films which I thought was unfair.
I think you get people taking things to excess in all fields, doctors, lawyers - -it happens to all kinds of people.
I watch a lot of different films. A lot of different performances and I find a lot of little things from the films or things that actors do or people in real life who have behaviors or idiosyncrasies that I like or find interesting and I try to remember that. And then I'll do a prayer. I'll do a prayer to ask the character or the spirit of the character to come and visit me. And let's work together.
I know there are a lot of musicians and a lot of artists, and there are a lot of writers and other people who inspire young people, but I'd like to see somebody in political life be able to connect and make these choices that we need to make in Washington real in terms of people's lives.
A lot of times, I relied on connections through my agency, just for financing and things like that. Even when I'm looking for a million and a half dollars to do a small film, there can always be hold-ups, because it's a large amount of money for some people, and it's a small amount of money for other people. In any case, it's significant enough to where you have to jump through a lot of hoops to get it to happen. Sometimes, the people who are helping you can drop the ball. And, of course, the reason agents want you to do bigger projects is that they make a bigger cut.
If you do an episode about something like transverse myelitis, it's a real disease that's out there, there are a lot of people that have it, and it's hard to get funding for them because people don't know about it. There are actually a lot of doctors that don't know about it. But if you do an episode of House, all of a sudden 15 million people are hearing the words, and it's an opportunity.
The problem with a lot of comedy clubs is not that they are a comedy club; it's just the cheesy way they're presenting themselves. That's why a lot of people have a problem with them. If you're a relatively unknown comedian, you can play at a comedy club, you might play to hundreds of people every night. But if you try to make a concert event out of it, and try to play a rock club or something, where you might play to 10 people or no people. And the flipside of that is, that's also a great thing, to play to people who are your fans. Some people are too hard on the comedy clubs.
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