A Quote by O. J. Mayo

If your shot is broke, you at least want to shoot it comfortably. You want to be comfortable shooting a broke shot. You don't want to be uncomfortable shooting a broke shot.
The major difference between the big shot and the little shot is the big shot is just a little shot who kept on shooting.
There are guys who want to shoot the last shot and others who want to pass off. I want that last shot.
A few years ago, for my birthday, Sean Price Williams said, "I'll give you one free day of shooting." He shot Kati with an I and co-shot Fake It So Real. While we've always worked together, I didn't want him to do it for free, so he cashed in his birthday chip and came for this one day.
Some day we're gonna have interactive television where you can pick the shot that you want. You can watch defense, or you can watch the end-zone shot, or you can watch an isolated shot of Terance Mathis or whoever you want to. Because right now, the only thing that you watch is what the producer or director decides to show you.
I have a lot of money, but I still feel broke. When I say I feel broke, I don't mean broke in a financial sense, but I still feel like that kid from the gutter who's still trying to get it, even though I'm at the place I want to be.
If I'm ever working on a set and anyone talks about a master shot, I say there is no master shot. Before I even went to film school, I learned about movies by being in a British feature film, where everything was shot master shot, mid-shot, close-up. But I reject the idea of a master shot. You don't shoot everything mechanically; you find imaginative ways that serve the action.
It comes to the point where, if a midrange shot is there, I'm going to take it. If I'm open, I have to shoot that shot. That's a great shot for the team and myself.
I'm not a big fan of shooting something that looks like it could belong in any movie. I'm not a fan of, okay, 'wide shot, wide shot, medium shot, close-up, close-up - we'll figure it out in post.' I hate that.
I've been in love with basketball from the moment I shot my first shot, hanging out with my father. When I was a kid I would stay in the gym waiting for my dad to finish practicing. I was just shooting.
I'm not gonna be broke, like my mom was broke, my uncles were broke, my sisters didn't have money, my cousins on down.
When you start off broke - and we weren't broke, we were negative broke - you never forget that. You stay appreciative.
When we shot the first series of Aerobic Striptease, we shot five DVD's, so we slowly put out each DVD and timed it out that they were all done and shot and ready to go. We just started shooting the next series once we felt it was time to work on the next one.
My grandma used to have a backyard and we put a hoop, a shaky hoop, up there. We used to just shoot at it. We shot at it so many times, we broke it. We had to get a better one, because that one wasn't good at all.
I'm a crack shot and I've won medals for shooting. But I don't think I could shoot a person.
I received a shot and broke my tooth. Unfortunately, we Italians only eat pasta al dente.
I don't know how many lions and leopards I've shot. I've shot two elephants, which was enough - never again. It's a melancholy and moving thing to hunt an elephant. It's like shooting an old man.
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