I never want to record something that I'm not proud of just because I think it might be a big hit. There's no positive about that because if you record a song you hate and it's a big hit, then you're singing a song every night that you hate. And if you record a song that you hate and it isn't a hit, then you sold out for no reason.
My record producer [David Kahne] said the major record labels these days are like dinosaurs sitting around discussing the asteroid. They know it's going to hit. They don't know when, they don't know where it's coming from. But it's sort of hit already. With iTunes, and all of that.
The mindset of chasing that next #1 record doesn't exist for me anymore. It's more about being a well-rounded entertainer than being a pop artist. Obviously, it would be wonderful to have a hit record but I don't base my happiness on that anymore. It's about the accomplishment of a project that satisfies me. I just want to enjoy the ride.
Several record companies had rejected my song 'Owner of A Lonely Heart' on the grounds it was 'too left field.' I never create to make a hit just to satisfy some record company executive's quarterly profit statement.
When you are in your 20's and 30's, you just want a hit record and you don't really care how it happens.
When you are in your 20's and 30's, you just want a hit record and you don't really care how it happens
Home runs just come from accidents by me, ... I just try to hit it solid and sometimes they go out. The record is nice to have but I'm not trying to hit them.
The good thing about having a hit record is you don't need too many people. Because now your record is on fire, and I already have a great team around me, so why run to the labels?
I've just been fortunate to havehad a lot of hit records, though Human Wheels doesn't qualify as a hit record-but it's really the best single I've ever had.
I couldn't afford to go to the record store to buy new tapes, so I'd tape everything off the radio. Just hit record when my song came on. I used to take my mom's tapes and tape over them. I had a nice little collection. Had my own Stephen Jackson mixtapes off the radio!
The record Clef and I did was just sitting there. So I said, Clef, I got a record, hit a verse on it. He just went in, messed around and ended up doing the hook too.
It's pretty amazing to me that my first hit record was an Elvis Presley record.
I didn't sign a record deal; I didn't do any of that. I made my record independently, and I went out and hit the road in a van.
You know, in the days when I started, if you had Chet Atkins' name on your record as a producer and it was on RCA, you could work the road. It didn't have to be a big hit record, it just
had to have that on it.
You know, in the days when I started, if you had Chet Atkins' name on your record as a producer and it was on RCA, you could work the road. It didn't have to be a big hit record, it just had to have that on it.
Things like 'Lucky Man' were never written to even be a record, let alone a hit record.