A Quote by O.C.

A microphone fiend; I make beats do back flips. — © O.C.
A microphone fiend; I make beats do back flips.

Quote Author

Justin Broadrick has stated that the drum machine sound was heavily influenced by hip hop artists in the late 80s, particularly the beat on “Christbait Rising” which Broadrick was quoted as saying, “It was my attempt at copying the rhythm sample on 'Microphone Fiend' by Eric B & Rakim”.
Back in those days it was just me swimming around in the dark, doing back flips and taking naps whenever I want.
Sometimes I go in and try to write beats, but I just trash 'em, and then the next time I go in, I'll make like six beats - six legit, nice beats. I'm really particular with how it needs to sound.
The words in this book are all phooey. When you say them, your lips will make slips and back flips and your tongue may end up in Saint Looey!
I can do somersaults and back flips.
I made my entire first tape using Beats headphones - the studio headphones and halfway through the second one, because I finally started making a home studio. But I record and make all my beats with the Beats headphones.
I'm not trying to make beats that are better than somebody else's. I'm trying to make beats that are genuine to me.
How can you build a relationship when you're just sending out beats? Most people will come in and play their beats, but I like to make mine on the spot.
Before anything, I wanted to be a rapper. I used to make beats and I would start singing to layer my beats and that's kind of how I realized I could sing.
When I was first introduced to the music business, I learned how to make beats. All my friends rapped, but nobody made beats. So since I didn't do either at the time, I thought it would make more sense and I would be more valuable to the team as the in house producer.
I started off making beats when I was like 12. Then when I linked with people who make beats full time, I was like, 'Bet, now I can focus on writing and singing.'
When people heckle me, I have the microphone. And the press has the microphone.
I never made beats to make beats; I only made them when there was a record to make them for. That's one of the things that has changed in hip-hop that's made me like it less. It feels much more like it's a producer-driven medium, where there are all these tracks that are completely interchangeable.
I walk around and think about things. When I come across a thought that makes me laugh, I write it down. Then, at night, I say the thought to people through a microphone. I don't think about politics or pop culture very much, so those thoughts don't often make it to the microphone.
I had been on the junior Olympic team in high school for trampoline; I could do twenty-six back flips in a row.
For people who love Tribe, I'm the defector. They say, 'You should get back with Ali to do the beats.' But a lot of people don't realize I did all the music in Tribe. In the first three albums, I did all the beats!
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