A Quote by Octavia E. Butler
I pecked my stories out two-fingered on the Remington portable typewriter my mother had bought me. I had begged for it when I was ten.
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When I got out of college and signed a contract to play pro football in the USFL, the first thing I bought was a Remington 1100 shotgun and a Remington .30-06.
My mother had bought a sewing machine for me. When I went away to college, she gave me a sewing machine, a typewriter and a suitcase, and my mother made $17 a week working as a maid 12 hours a day, and she did that for me.
I had a little portable typewriter. I call it my Harlem Literary Fellowship.
I had a TV set and a typewriter and that made me think a computer should be laid out like a typewriter with a video screen.
I had read the criticisms of me and my movies and they were discerning. They said that Crawford needs a new deal, and they asked if I was doomed to explore forever the emotional misfortunes of the super-sexed modern young woman. And so, to break away from the pattern, I wanted to do "The Gorgeous Hussy". Selznick laughed at me. 'You can't do a costume picture. You're too modern.' But I begged and begged and begged, and so they let me do it. I was totally miscast.
I had read the Animal House script, and by hook and crook, I finally got an audition. It was a great one. John Landis followed me out into the hallway afterward and said, "I've never done this before, but you've got the job. Now don't tell anyone!" I've never had a director do that. It was one of those Hollywood-dream-come-true stories. They saw me as a surfer or cowboy, not a preppie, but someone begged and borrowed me an audition, and I went in and got it.
I had one typewriter for 50 years, but I have bought seven computers in six years. I suppose that's why Bill Gates is rich, and Underwood is out of business.
I'm very objective about what I want to have happen to my protagonists and where that has to come from. On one hand, it does help me that I had a mother who might have taken the last dollar and bought a pack of cigarettes or something, but I also had a mother who exposed me to art, music, other religions, different foods. My mother was very adventurous in her own way, so she fed the part of me that was going to grow up to be a writer. But there's always, too, the opposite response that helps me to create.
In the 1980s, in the communist Eastern Germany, if you owned a typewriter, you had to register it with the government. You had to register a sample sheet of text out of the typewriter. And this was done so the government could track where text was coming from.
I was raised primarily by women. I had a mother who almost killed herself to survive, I had a sister who was eight years older who was like a second mother, and my mother had two sisters. In the environment I grew up in, I heard a lot of female perspectives.
I hadn’t had a mother since I was two, and from then until seven I had believed God was someone who had run off with her and was living with her somewhere else... (God took your mother, dear, because he needed her more than you do) which had never endeared him to me
He [Hemingway] used a stand-up work place he had fashioned out of the top of of a bookcase near his bed. His portable typewriter was snugged in there and papers were spread along the top of the bookcase on either side of it. He used a reading board for longhand writing.
After about fourth grade, I do remember borrowing my mother's old portable Olivetti and typing stories out on the back of photocopies of journal articles.
Before 'Dilbert,' I tried to become a computer programmer. In the early days of computing, I bought this big, heavy, portable computer for my house. I spent two years nights and weekends trying to write games that I thought I would sell. Turns out I'm not that good a programmer, so that was two years that didn't work out.
That was the overwhelming thing to me, the joy of carrying my portable typewriter to an event and trying to describe it.
As a writer, politician, scientist, and businessman, [Ben] Franklin had few equals among the educated of his day-though he left school at ten. (...)Boys like Andrew Carnegie who begged his mother not to send him to school and was well on his way to immortality and fortune at the age of thirteen, would be referred today for psychological counseling; Thomas Edison would find himself in Special Ed until his peculiar genius had been sufficiently tamed.
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