A Quote by Octavia E. Butler

The major tragedies in life, there's just no compensation. But the minor ones you can always write about. It's my way of dealing, and it's a heck of a lot cheaper than psychiatrists. The story, you see, will get you through.
The chances are that, in the course of his lifetime, the major poet will write more bad poems than the minor, simply because major poets write a lot.
I don't think we are all irrational every time we fail to see through an argument in a book, but suppose it's true about you. You are still more rational than you think you are. You are irrational in a minor way - believing a misguided theory of the nature of rationality - but rational in a major way - you respond well to probabilistic evidence as you go through the day.
The discovery of phobias by psychiatrists has done much to clear the atmosphere. Whereas in the old days a person would say: 'Let's get the heck out of here!' today she says: 'Let's get the heck out of here! I've got claustrophobia.
If you're angry, you don't have to write a poem dealing with the cause of your anger. But it needs to be an angry poem. So go ahead... write one. I know you're at least a little bit angry with me. And when you're done with your poem, decipher it as if you'd just found it printed in a textbook and know absolutely nothing about its author. The results can be amazing...and scary. But it's always cheaper than a therapist.
I write poetry to figure things out. It's what I use as a navigating tool in my life, so when there's something that I just can't understand, I have to "poem" my way through it. For that reason I write a lot about family, because my family confuses me and I'm always trying to figure them out. I write a lot about love, because love is continually confusing in all of its many glorious aspects.
Sometimes you just need to talk to someone who is detached from you. They just listen to what you tell them and you get to form the way that they see you, whereas everyone else in your life already thinks they know what you're dealing with or what you're going through. That's my recommendation for actual anxiety.
Even if it’s a dumb story, telling it changes people just the slightest little bit, just as living the story changes me. An infinitesimal change. And that infinetisimal change ripples outward —ever smaller but everlasting. I will get forgotten, but the stories will last. And so we all matter —maybe less than a lot, but always more than none.
The press is always more comfortable with factual determinations than moral ones, although in day-to-day life, a lot of people care a heck of a lot more about morality than every precise actual fact.
I'm a storyteller. I'm always willing to serve the story, a story I believe in, in whatever way is necessary. If I need to write the story I believe in, I will write it. If I've been offered to act in a story that I truly believe in, I will happily do that, but I'm a storyteller. That's something I'm so thankful for.
My mother always told me if you write about life, you will always be in the game. Just don't write songs... write life. I decided to take her up on that.
My mother always told me if you write about life, you will always be in the game. Just don't write songs write life. I decided to take her up on that.
A dictatorship would be a heck of a lot easier, there's no question about it. Dealing with Congress is a matter of give and take. The president doesn't get everything he wants, the Congress doesn't get everything they want. But we're finding good common ground.
I was a very shy kid and both my best friend and my sister went to Waterloo, and I just thought no I can't, I can't go there because I'll just hang on to them and no one will even know who the heck I am and that's no way to go through life.
The story is always better than your ability to write it. My belief about this is that if you ever get to the point that you think you've done a story justice, you're in the wrong business.
I do think people need to recognize that a lot of journalists want to write a story a certain way because the story will be better or the portrayal will be better, or at least recognize that whenever you're looking at something, you're seeing it through somebody's eyes who may actually not be the person who is the most insightful.
The third note in a chord is what depicts whether it's major or minor. Rhythm and Blues hardly ever uses it because it means that the melody is free to move between major and minor because you're not clashing with the third being depicted one way or the other.
This site uses cookies to ensure you get the best experience. More info...
Got it!