A Quote by Octavia E. Butler
I had a long period of writing what I think of as 'save the world' novels. 'Fledgling' was a chance to play.
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Because I had grown up with Jane Austen novels and period dramas, I was very familiar with that period and that world.
Real Madrid are an exemplary club. I would never have had the chance to play for this club for such a long period had I really been such a crazy, violent player.
The play is one of the very few pieces of great dramatic and comic writing that I have read in a long, long time. I was drawn to it because of the power of the writing, which gives me the actor a chance to explore many facets of myself.
My first attraction to writing novels was the plot, that almost extinct animal. Those novels I read which made me want to be a novelist were long, always plotted, novels - not just Victorian novels, but also those of my New England ancestors: Herman Melville and Nathaniel Hawthorne.
I don't think the relationship between novels and realities are one to one. Of course novels play different roles. It's essentially just a long narrative form. What you use that long narrative form for can be very different.
I think of novels as houses. You live in them over the course of a long period, both as a reader and as a writer.
The world does not have a voice of its own. It can't tell you what it wants, what it needs. But it's yearning for something to point it in the right direction. A savior, perhaps. Save us, Chris! You must forgive me. Where have my manners gone. I don't think I've had a chance to formerly introduce myself. You may call me Bray Wyatt. But I have a thousand faces and a million names. Seducer, accuser, destroyer. I am the color red in a world full of black and white, and if you value your ability to breathe, don't get too close. Save us, Chris. Save yourself.
I spend so long writing each of my novels that by the time I'm done with one, I'm ready to discover a totally different world.
I love research. Sometimes I think writing novels is just an excuse to allow myself this leisurely time of getting to know a period and reading its books and watching its films. I see it as a real treat.
With world health, every life you save is a wonderful thing, so it's not this question of whether you solve it or you don't. The chance of completely solving the problems has long odds. But really, the thing is that you get to save the first child, the second child, the third child. You can just feel good about that.
I write what I want to write. Period. I don't write novels-for-hire using media tie-in characters, I don't write suspense novels or thrillers. I write horror. And if no one wants to buy my books, I'll just keep writing them until they do sell--and get a job at Taco Bell in the meantime.
You have to be very productive in order to become excellent. You have to go through a poor period and a mediocre period, and then you move into your excellent period. It may be very well be that some of you have done quite a bit of writing already. You maybe ready to move into your good period and your excellent period. But you shouldn't be surprised if it becomes a very long process.
I obviously prefer writing novels but I take my journalism very seriously, and I enjoy doing it between novels. It gives me an opportunity to move in the outside world.
If politicians can't do it, I want to do it. We have to do it. Artists, put it in paintings. Poets, put it in poems, novels. That's what we have to do. And I think it's so important to save the world.
I'd probably still be a financial journalist now if it weren't for writing novels. Mmm. Fun! I'm much happier writing novels!
The difficulty in the way of writing a children's play is that Barrie was born too soon. Many people must have felt the same about Shakespeare. We who came later have no chance. What fun to have been Adam, and to have had the whole world of plots and jokes and stories at one's disposal.
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