A Quote by Octavia Spencer

The older you get, you always learn more. Sometimes it's a process of learning about yourself and what your journey is. Sometimes the process moves forward at a rapid pace in a short amount of time - or moves backwards. And you're like, "Man, I thought I had made so much progress, and now all of a sudden, I'm 10 steps further behind than when I started."
Filming movies and TV are vastly different. Film is more of slower pace. You usually have more time to develop characters, and it sometimes takes up to 3 months to film one movie. Sometimes you'll spend half the day filming one scene. TV moves much faster. It takes about 10 days to film an episode.
When the time comes for your brain to process the information, the second word comes up faster than the first one. So when it's in your head, all of a sudden, it comes out backwards and you think of the word backwards.
You learn so much from making mistakes, not even necessarily mistakes that I've made, a lot of the time the films just don't work out because it's a really difficult process. And sometimes there's a certain person underlining process. But I've had an opportunity to work on all different types of films and I have had a lot of opportunities to stretch myself in different ways and now is the time where I get to try and figure out out the roles that I can really play well and play them well.
Music is one of the last elements in the creative process. It can and hopefully should tie a bow around an artistic concept, how a story moves forward, the pace of that storytelling.
The progress we have made in a short amount of time gives me confidence we're making the right moves to turn around our business and reposition McDonald's as a modern, progressive burger company.
If you look at the democratic process as a game of chess, there have to be many, many moves before you get to checkmate. And simply because you do not make any checkmate in three moves does not mean it's stalemate. There's a vast difference between no checkmate and stalemate. This is what the democratic process is like.
After Strapping, the amount of things in my life had changed were more than I'd ever had to process in any one time, and as a result of that, I found that my writing was veering off in four - sometimes even more - directions.
The first day's always the hardest, because it moves so much faster than a film does and once you get into that rhythm, though, you feel like you've accomplished so much in such a short period of time, so there a bit of comfort in that. You just have to find your rhythm.
Sometimes your friends take you ten steps backwards for every step you take forward. Sometimes misplaced loyalty ruins your destiny.
I think sometimes when trades are made the beginning of the season on paper, they look great. It just takes time. Sometimes the process by the media or outside influences or sources want it to be now. Sometimes it doesn't work that way.
What am I writing for anyway? Is it like dreaming? Is it a benevolent process? Something that moves the past forward? And what about those people who say all you get from looking at the past is a stiff neck?
I have been learning English on the road since I started when I was 15, so it is a slow process but making some progress. Now I think I am much more comfortable with my English. However, it is difficult, still, when I speak about something that is not tennis.
You shoot this and it always has something of yourself - sometimes it's more and sometimes it's less. I think after the shooting it depends on who your character is. You definitely learn something about yourself, or you get to know sides that you knew you had, but you had never activated or triggered in a way that allowed you to let them out. Bad and good, all of this is in all of us. But you definitely meet another side or a quarter or ten percent of yourself that you had an idea of, but never really knew about.
I think about the notion of progress; sometimes it does feel like two steps forward, one step back. And that just means you can't get complacent.
The problem is that once I start on a song and get a rough idea of where I might go with an arrangement, I try dozens, sometimes hundreds, of different things on a song. The bass, the backing guitars, the lead guitars, the keyboards. It's a long process. It's like 100 steps forward and 99 steps back.
I can only put myself in the process and try to learn through the process. Sometimes it will go well and sometimes it won't.
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