A Quote by Octavia Spencer
What's so great about DreamWorks is that it's run by filmmakers who believe that if it's not broke, don't fix it.
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Normal people... believe that if it ain't broke, don't fix it. Engineers believe that if it ain't broke, it doesn't have enough features yet.
My earlier days were all about playing, writing songs and producing songs. In the early 90's my former wife, Marylata Elton, got tapped to run the music department for DreamWorks. She worked right under Hans Zimmer during the heady days of Prince of Egypt, Shrek, Chicken Run, Gladiator just to name a few. She was and still is, one of the great music executives and has quite a career path of her own.
To the engineer, all matter in the universe can be placed into one of two categories: (1) things that need to be fixed, and (2) things that will need to be fixed after you've had a few minutes to play with them. If there are no problems handily available, they will create their own problems. Normal people don't understand this concept; they believe that if it ain't broke, don't fix it. Engineers believe that if it ain't broke, it doesn't have enough features yet.
Filmmakers are always in a bubble; along with our crew or writer, we don't really get to socialize with other filmmakers, so the great thing about Sundance is you can see many other filmmakers doing the same thing you do.
Based on the experience of my life, which I have not exactly hit out of the park, I tend to agree with that thing about, If it's not broke, don't fix it. And would go even further to: Even if it is broke, leave it alone, you'll probably make it worse.
Male filmmakers only need to tap their female selves in order to develop their female gaze as many great filmmakers have done. But why is it important to do so? Because the world has been run by aggressive males and landed itself in a fine mess.
I can't tell you how many 30-year-old dudes believe they should be senator or president. Women, we're like, 'Well, maybe after ten years of working...' No. Just run for the office you want to run for and run on the issue you want to fix.
I love Pixar films; I think they're the greatest filmmakers in the world. I love Disney films. 'Tangled,' was great. I loved 'How to Train Your Dragon,' the Dreamworks film. But it's not for me. I don't want to make a film for families; I want to make adult films.
Poor is a state of mind. Broke is a state of wallet. You can fix being broke; it's not so easy to fix being poor.
I think filmmakers, in general... There are some awesome, really great filmmakers - but on the whole, filmmakers, actors, I think they are the biggest bunch of whiny, over-paid babies on the planet.
The filmmakers are very much in their own kind of bubble. It was kind of a revelation to me and I realized why so many of the great filmmakers are one of a kind people. You know, they have a vision. They may be influenced by other filmmakers, but they don't work with them on anything.
My mom didn't run for mayor until she was 65 years old - it was like a second and third career.... The way I've always thought about it is that I don't believe you run for office because you want a job. I believe if you run for office, it's because you have a vision for change. And if I ever came to that point, that's what would lead [me to run]. And right now I'm happily in a position where I believe I can work to deliver impact and work for change.
I don't believe the old statement, "If it ain't broke, don't fix it." If that were the case, then Cadillacs and Jaguars and Mercedes would never make a change. I've always looked for ways to make things better.
I think that film festivals, we're very often given to understand, are about filmmakers and about films and about the industry of filmmaking. I don't believe that they are, I believe that film festivals are about film audiences, and about giving an audience the encouragement to feel really empowered and to stretch the elastic of their taste.
Now that I'm afraid was institutionalized, and the great thing about the Canadian content regulations is that it broke that open. I mean it broke it open because people were faced with no choice, but to really start listening to these records and find the ones that they could play. It didn't take long for Canadian radio to go "Wow! We're not going broke doing this, it's not killing us, the audience isn't complaining."
If it ain't broke, don't fix it.
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