A Quote by Octavio Paz
Whatever is not stone is light
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Every thing thinks, but according to its complexity. If this is so, then stones also think...and this stone thinks only I stone, I stone, I stone. But perhaps it cannot even say I. It thinks: Stone, stone, stone... God enjoys being All, as this stone enjoys being almost nothing, but since it knows no other way of being, it is pleased with its own way, eternally satisfied with itself.
With aching hands and bleeding feet
We dig and heap, lay stone on stone;
We bear the burden and the heat
Of the long day, and wish 'twere done.
Not till the hours of light return
All we have built do we discern.
Your mind is made up of light. We call it the dharmakaya, the clear light of reality. The transcendental eternal light is everywhere. It's the light of god or whatever you want to call it.
But dreams come through stone walls, light up dark rooms, or darken light ones, and their persons make their exits and their entrances as they please, and laugh at locksmiths.
I don't like putting glasses on and watching 3D. I don't mind wearing glasses, but it's the dimness of the light and the fact that you're filtering the light. Whatever 3D process is being used is a filtration of light, which means it's blocking some of the light.
Slipknot is the darkness; Stone Sour is the light. Slipknot is chaos; Stone Sour is structure.
Everything is shown up by being exposed to the light, and whatever is exposed to the light itself becomes light.
You have the sky overhead giving one light; then the reflected light from whatever reflects; then the direct light of the sun; so that, in the blending and suffusing of these several luminations, there is no such thing as a line to be seen anywhere.
We all build internal sea walls to keep at bay the sadnesses of life and the often overwhelming forces within our minds. In whatever way we do this--through love, work, family, faith, friends, denial, alcohol, drugs, or medication, we build these walls, stone by stone, over a lifetime.
Greek architecture taught me that the column is where the light is not, and the space between is where the light is. It is a matter of no-light, light, no-light, light. A column and a column brings light between them. To make a column which grows out of the wall and which makes its own rhythm of no-light, light, no-light, light: that is the marvel of the artist.
I'm sorry, Gemma. But we can't live in the light all of the time. You have to take whatever light you can hold into the dark with you.
I love the way my weight fluctuates in the newspapers. It was 18 stone and then people look at a bad picture of me and add a few more stone on. I think the highest was 22 stone.
My personal belief is we should not bow to any object. But Islam was aware of this human weakness and fulfilled that need through Haj to kiss a stone. A stone is a stone but the vacuum was filled and it became the holiest object. I have performed Haj and seen the devotion of people braving stampedes only to kiss that stone.
Writing a film is like building a brick wall. You have a plan, and you have the blocks. Then, somebody says, 'I think we'll take this stone out of here and put it over there. And while we're at it, let's make this stone red and that stone green.'
You can't get away, I can't fill my car up at a gas station without Coors Light, Bud Light, Corona, whatever, it's just the way it is.
If you really want to go after something, you have to keep hammering at the stone whether or not the first hit or the 100th hit breaks the stone. You've got to believe that the stone is going to break.
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