A Quote by Octavio Paz
The Mexican...is familiar with death. [He] jokes about it, caresses it, sleeps with it, celebrates it. It is one of his favorite toys and his most steadfast love.
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One of the most notable traits of the Mexican's character is his willingness to contemplate horror: he is even familiar and complacent in his dealings with it.
One of my favorite footnotes in the hypochondria book [The Hypochondriac's Guide to Life. And Death.] was about the death of one of the King Charleses. He was essentially bled and vomited to death by his doctors. They also drilled holes in his head.
Kelvin Gastelum, there's many ways I can classify his style. I like it. He's improved. One thing I can say is that he's improved over his run in the UFC from 'The Ultimate Fighter' and now being a contender. But his style? It's very Mexican. You have the Mexican style of boxing, and he has a Mexican style of MMA, like smart Mexican style.
Who sleeps at night? No one is sleeping.? In the cradle a child is screaming.? An old man sits over his death, and anyone? young enough talks to his love, breathes ?into her lips, looks into her eyes.
Most of us would agree that the important thing about Jesus is not his supposed miraculous birth or the claim that he was resurrected from death, but rather how he lived. The power of his love, the penetrating simplicity of his teachings, and the force of his example of service on behalf of the disenfranchised and downtrodden are what is crucial.
The city sleeps and the country sleeps, the living sleep for their time, the dead sleep for their time, the old husband sleeps by his wife and the young husband sleeps by his wife; and these tend inward to me, and I tend outward to them, and such as it is to be of these more or less I am, and of these one and all I weave the song of myself.
He loved me. He'd loved me as long as he he'd known me! I hadn't loved him as long perhaps, but now I loved him equally well, or better. I loved his laugh, his handwriting, his steady gaze, his honorableness, his freckles, his appreciation of my jokes, his hands, his determination that I should know the worst of him. And, most of all, shameful though it might be, I loved his love for me.
The jokes are great but what really matters for a comedian is his performance, his whole attitude, and the laughs that he gets between the jokes rather than on top of the jokes.
I think most people assume if you're a Latino in Texas, you're Mexican. It's not really a problem, and I love so much about Mexican culture and the Mexican people.
Animals awaken, first facially, then bodily. Men's bodies wake before their faces do. The animal sleeps within its body, man sleeps with his body in his mind.
Other than his ex-wife and despite appearances with a series of cultivated blondes, Edward de Bono has never publicly aligned himself with a woman. 'I’m looking for a fat, cross-eyed hunchback,' he explains, stifling a giggle. 'A prosthetic hump would do.' His delight evaporates when asked about his three grandchildren. 'Am I a doting grandfather?' He pauses. 'I’m a … something grandfather, yes.' The fact that De Bono remains unperturbed by this lack betrays an emotionally austere childhood, and his passions for play, toys, and bad jokes tell of the same deprivation.
Quentin [Taranino] will say, "We've got it, but we're gonna do it one more time. Why?" And then, the entire cast and crew chimes in and says, "Because we love making movies!" He is a person who celebrates this form of expression, and it is evident in his movies, his conversations, his extensive knowledge about the history of what we do, and the actors and crew that he assembles.
One of my favorite L.A. movies is 'Ed Wood,' and it's about how Bela Lugosi went from being this movie star personality to living in a little bungalow with his cats in the valley where, if you walked by, you'd have no idea. He'd come out and get his paper, and you'd go, 'That guy looks familiar.'
Let now the chimneys blaze And cups o’erflow with wine... The summer hath his joys, And winter his delights; Though love and all his pleasures are but toys, They shorten tedious nights.
Spending time with Mexican-born writer and director Alejandro Gonzalez Inarritu, you'd never guess that he's the filmmaker behind a series of movies known as the 'Death Trilogy.' The way he dotes on his children and talks about his wife makes it clear that he has a crackling passion for life.
The bore is good for promoting sleep; but though he causeth sleep in others, it is uncertain whether he ever sleeps himself; as few can keep awake in his company long enough to see. It is supposed that when he sleeps it is with his mouth open.
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