A Quote by Octavio Paz
Cubism had been an analysis of the object and an attempt to put it before us in its totality; both as analysis and as synthesis, it was a criticism of appearance. Surrealism transmuted the object, and suddenly a canvas became an apparition: a new figuration, a real transfiguration.
Related Quotes
An absolute can only be given in an intuition, while all the rest has to do with analysis. We call intuition here the sympathy by which one is transported into the interior of an object in order to coincide with what there is unique andconsequently inexpressible in it. Analysis, on the contrary, is the operation which reduces the object to elements already known.
The spider-mind acquires a faculty of memory, and, with it, a singular skill of analysis and synthesis, taking apart and putting together in different relations the meshes of its trap. Man had in the beginning no power of analysis or synthesis approaching that of the spider, or even of the honey-bee; but he had acute sensibility to the higher forces.
Philosophy, like science, consists of theories or insights arrived at as a result of systemic reflection or reasoning in regard to the data of experience. It involves, therefore, the analysis of experience and the synthesis of the results of analysis into a comprehensive or unitary conception. Philosophy seeks a totality and harmony of reasoned insight into the nature and meaning of all the principal aspects of reality.
Get the habit of analysis - analysis will in time enable synthesis to become your habit of mind.
Analysis and synthesis are both as necessary to the thinking spirit as inspiration and expiration to the organism.
And so it is with our own past. It is a labour in vain to attempt to recapture it: all the efforts of our intellect must prove futile. The past is hidden somewhere outside the realm, beyond the reach of intellect, in some material object (in the sensation which that material object will give us) of which we have no inkling. And it depends on chance whether or not we come upon this object before we ourselves must die.
It is clear that every immediate object of our senses both exists and is real in the primary meaning of these terms so long as we remain aware of the object.
There was a child went forth everyday, And the first object he looked upon and received with wonder or pity or dread, that object he became, And that object became part of him for the day or a certain part of the day... or for many years or stretching cycles of years.
The emotion of beauty is always obscured by the appearance of the object. Therefore, the object must be eliminated from the picture.
The plurality that we perceive is only an appearance; it is not real. Vedantic philosophy... has sought to clarify it by a number of analogies, one of the most attractive being the many-faceted crystal which, while showing hundreds of little pictures of what is in reality a single existent object, does not really multiply that object.
Without analysis, no synthesis.
Object in/ and space - the first impulse may be to give the object - a position - to place the object. (The object had a position to begin with.) Next - to change the position of the object. - Rauschenberg's early sculptures - A board with some rocks on it. The rocks can be anywhere on the board. - Cage's Japanese rock garden - The rocks can be anywhere (within the garden).
There was a child went forth every day, And the first object he looked upon, that object he became.
Fear, as opposed to anxiety, has a definite object, which can be faced, analyzed, attacked, endured... anxiety has no object, or rather, in a paradoxical phrase, its object is the negation of every object.
Whenever convictions are not arrived at by direct contact with the world and the objects themselves, but indirectly through a critique of the opinions of others, the processes of thinking are impregnated with ressentiment. The establishment of "criteria" for testing the correctness of opinions then becomes the most important task. Genuine and fruitful criticism judges all opinions with reference to the object itself. Ressentiment criticism, on the contrary, accepts no "object" that has not stood the test of criticism
I was in analysis for many years, and one of the things analysis does is open up forbidden territories. It opens up those unconscious, instinctual urges that you then have to deal with. I'm like a Frankenstein of analysis. I'm able to go back and forth between the world I've created inside of myself and the real world, which is something I think a lot of people who write and paint and make art do.
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