A Quote by Octavio Paz
The truth is that the history of Mexico is a history in the image of its geography: abrupt and tortuous. Each historical period is like a plateau surrounded by tall mountains and separated from the other plateaus by precipices and divides.
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We are not buried in history, but surrounded by it. You can't avoid our behavior being shaped by it, to a considerable degree. We have this fantasy that we are free of history. This allows us not to see the circumstances, the historical circumstances of other people.
Whether I like it or not, most of my images of what various historical periods feel, smell, or sound like were acquired well before I set foot in any history class. They came from Margaret Mitchell, from Anya Seton, from M.M. Kaye, and a host of other authors, in their crackly plastic library bindings. Whether historians acknowledge it or not, scholarly history’s illegitimate cousin, the historical novel, plays a profound role in shaping widely held conceptions of historical realities.
Like every man who appears at an epoch which is historical and rendered famous by his works, Jesus Christ has a history, a history which the church and the world possess, and which, surrounded by countless memorials, has at least the same authenticity as any other history formed in the same countries, amidst the same peoples and in the same times. As, then, if I would study the lives of Brutus and Cassius, I should calmly open Plutarch, I open the Gospel to study Jesus Christ, and I do so with the same composure.
History has its truth, and so has legend. Legendary truth is of another nature than historical truth. Legendary truth is invention whose result is reality. Furthermore, history and legend have the same goal; to depict eternal man beneath momentary man.
All other forms of history - economic history, social history, psychological history, above all sociology - seem to me history with the history left out.
The history of jazz lets us know that this period in our history is not the only period we've come through together. If we truly understood the history of our national arts, we'd know that we have mutual aspirations, a shared history, in good times and bad.
I don't like the idea of nationalism, but on the other hand, I do see that there is a difference between British art, German art and Chinese art. This is because of the history, because each country has different history and each country reads and teaches that history differently.
As Geography without History seemeth a carkasse without motion; so History without Geography wandreth as a Vagrant without a certaine habitation.
Children should have the joy of living in far lands, in other persons, in other times - a delightful double existence; and this joy they will find, for the most part, in their story books. Their lessons, too, history and geography, should cultivate their conceptive powers. If the children do not live in the times of his history lesson, be not at home in the climate his geography book describes, why, these lessons will fail of their purpose.
There has always been interest in certain phases and aspects of history - military history is a perennial bestseller, the Civil War, that sort of thing. But I think that there is a lot of interest in historical biography and what's generally called narrative history: history as story-telling.
I put the truth out there, I put the historical facts into Hip Hop to show us how much history repeats itself and that if we truly want to evolve as a human race, we need to stop sticking each other in ridiculous categories.
Paris is not a city, it is the image, the symbol of France, its today and yesterday, the reflection of its history, its geography and its hidden essence.
Venezuelans have a long history. So we are able to listen to each other, to talk to each other. From here were born the liberators of the region, and they said before and after that process we have a culture of political action. We are not in despair. That's the image broadcast to abroad.
Americans don't learn about the world; they don't study world history, other than American history in a very one-sided fashion, and they don't study geography.
I believe history of humankind has always faced challenges. I don't think that any other period in history was less problematic then the one in which we live.
History is history, and it has to be told, and with 'Mudbound,' it's beautiful because you get to sit with both sides - the white and the black - and see where we meet each other at the end of the day and see where we tear each other apart.
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