A Quote by Octavio Paz

Human writing reflects that of the universe; it is its translation, but also its metaphor: it says something totally different, and it says the same thing. — © Octavio Paz
Human writing reflects that of the universe; it is its translation, but also its metaphor: it says something totally different, and it says the same thing.
If you look at the New York Times, it says X; if you look at the Washington Post, it says the same thing. And if you turn on any television newscast it's the same thing you already heard, that's research. And that's one of the ways it's done. Authority ends up being imputed simply because of volume. I mean, all of these different news organizations reporting the exact same thing.
It's easy to look at the vampires as a metaphor for any feared or misunderstood group. It's also easy to look at them as a metaphor for a shadow organization that says one thing and has a completely different agenda on their mind, and anybody who gets in their way, they just get rid of them. Does that sound familiar?
What do we do if we pass a law that says this has to be done, and then China says, oh, well, OK, we're going to pass that law too and we want access to every iPhone in China? Iran says the same thing, Russia says the same thing - you know, the bad guys go underground. They'll shift to some other encrypted platform.
Who says, who says you're not perfect? Who says you're not worth it? Who says you're the only one that's hurting? Trust me, that's the price of beauty, who says you're not pretty? Who says you're not beautiful?... Who says?
'Lost in Translation' movie says something interesting about the alienation of being a stranger in a strange land, but also of being a celebrity. That kind of feeling of not being in the same strata as everyone else.
Gavin DeGraw - his first record is the reason that I wanted to start writing music. The way that he says something that everybody says on a regular basis but he says it differently. It makes you kind of perk up and listen.
The practice of translation rests on two presuppositions. The first is that we are all different: we speak different tongues, and see the world in ways that are deeply influenced by the particular features of the tongue that we speak. The second is that we are all the same - that we can share the same broad and narrow kinds of feelings, information, understandings, and so forth. Without both of these suppositions, translation could not exist. Nor could anything we would like to call social life. Translation is another name for the human condition.
You've often heard me say - perhaps too often - that poetry is what is lost in translation. It is also what is lost in interpretation. That little poem means just what it says and it says what it means, nothing less but nothing more.
To say that the universe exists is silly, because it says that the universe is one of the things in the universe. So there's something wrong with questions like, "What caused the Universe to exist?"
No one looks at a baby and says, 'You are going to be a great novelist, and you really need to start writing now.' Something in us says: 'This is what I must do.'
Whenever my friend says something cool, and especially if my team says something, like a cool line in English, I'll write it down, and maybe I'll rephrase or use in a different way or something.
When an economist says the evidence is "mixed," he or she means that theory says one thing and data says the opposite.
What is natural does not have to be a representation of something. I'm now working on a thing that is a reconstruction of a starry sky, and yet I'm making it without a given from nature. Someone who says he uses a theme from nature can be right, but also someone who says he uses nothing at all.
Liz, I like you very much," he says. "Oh," she says, "I like you very much, too!" Owen is not sure if she means "O" for Owen, or just plan "Oh." He is not sure what difference it would make in either case. He feels the needs to clarify. "When I said 'I like you very much,' I actually meant 'I love you.'" "O," she says, "I actually meant the same thing." She closes the car door behind her. "Well," he says to himself, driving back to his apartment, "isn't that something?
We live in this society where you must constantly be reinventing yourself. The big question is what are you doing next. The only thing they want is composed of these three elements: They want you to do it the exact same way because they want more of it; but they want it to be totally different; and they want it to be better. That's all you have to do. You just have to do something that's exactly the same, totally different, and better.
Perhaps the most pernicious strain of contemporary criticism says one thing before it says anything else, says it to whatever historical event or cultural happenstance is supposedly at issue: 'You can't fool me.'
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