A Quote by Odd Nerdrum

A topic is not interesting enough until it is multi layered. There is no vigor in a motive without many layers. One also learns quite a lot when one has been working on a difficult painting. That is my feeling. I believe that.
I think truth is a layered phenomenon. There are many truths that accumulate and build up. I am trying to peel back and explore these rich layers of truth. All truths are difficult to reach.
All too often, female characters, in particular, aren't multi-layered enough.
When you first hear Mozart's music, your first impression is that it's very alive, but if you peel away the layers, you can hear sorrow and sadness behind it, and that's what I try to be: multi-layered.
Pu La's writing is multi-layered, multi-faceted, and deep.
I know we've had AI films, but they've been quite specific in their scope. The scope of 'Humans' is a world set up where this technology is universally accepted. I haven't seen anything that's dealt with it in that multi-layered, every-layer-of-society way.
I've talked to a few writers who have had childhood illnesses. The sense of convalescence - the feeling that you're waiting to become a real person - is quite an interesting thing. You're seeing all of your friends doing amazing things and you're just there, in a void, feeling a bit stupid. I wouldn't be able to say what I'd have been like without it, but maybe I'd be incredibly high-powered and successful. It also forced me to spend most of my time in my imagination.
One learns about painting by looking at and imitating other painters. I can't stress enough how important it is, if you are interested at all in painting, to look and to look a great deal at painting. There is no other way to find out about painting.
I love my stories being multi-layered, and coming at it from different angles, so that you don't understand the film's true emotional motivation until the very end.
Monetary policy is one of the most difficult topics in economics. But also, I believe, a topic of absolutely crucial importance for our prosperity.
I think that layers in music, whether it's layers juxtaposing emotions and feelings or layers of texture, make for a more interesting product.
The questions of traditional and redefined marriage are highly emotional and a difficult and sensitive topic. Living in the D.C. area and having gay friends and colleagues, I find the topic difficult to discuss and sometimes even difficult write about for fear that I will be judged.
I believe that the human motive to share is very powerful. The human motive to profit is also very powerful, and I think that the profit motive and the sharing motive are not exclusive.
I was at an art museum with my parents, and was quite taken with a [Vincent] Van Gogh painting. I stood admiring the painting for some time, and then realized that in addition to feeling moved by the beauty of the painting, I felt a little jealous of the painter.
When I was painting in art school - and I think many painters in the 1980s worked similarly - a finished painting would often be constructed from lots of other paintings underneath. Some of these individual layers of painting were better than others, but that was something that you would often only realise retrospectively.
Yeah, you can explore a lot more. Every one of the storylines is multi-faceted, so there are so many directions that it can go. It makes each episode so interesting.
I don't like to write rhetorically or get on a soapbox. I try to make the stuff multi-layered, so that it always has a life outside its social context. I don't believe that you can tell people anything; you can only draw them in.
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