A Quote by Odell Beckham, Jr.
In high school, I used to draw on my arms with a Sharpie. I knew I was gonna have a lot of tattoos. I'm not exactly classified as an artist, so my drawings could only go so far as I could take 'em. Now my tats are all a story: There's not one I can remember where I got a tat just to get a tat. It's all a part of me. I don't think I'm finished yet.
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I thawt I thaw a putty tat.” “I did, I did thee a putty tat" Finished with his Tweety Bird imitation, he grinned unpleasantly at me. “Now, then, luv, let’s get down to business
I ain't gonna tat my face. I ain't no follower. I ain't got no reason to tat my face.
A lot of newspaper columns used to be written in a rat-a-tat-tat, fast-paced style - and they tended to be funny. They were a little relief from the grimmer, grayer parts of the newspaper, and one of the best people at doing this was Will Rogers.
[E]very time you think the entertainment moguls have hit rock bottom, they reach for the jackhammer and rat-a-tat-tat a little deeper.
I can never remember a time when I didn't want to be an actress, to be honest. And so, all through high school, I knew that I was gonna go to college in Los Angeles. I just didn't know where. And I knew that I was gonna try to get my theater degree.
I think my parents wanted me to do something very normal, have a normal person job and not be confronted by the instability of an artistic pursuit, but there wasn't really a lot they could do to stop me. I was, at one point, going to go to law school when I finished high school, but the next day I got accepted into acting school and there was no real question in my mind of what I was going to do.
I bailed out on social media for a while, and in short order I found I was able to sit down and read a book again. For the first time in a couple years I could read more than three pages without my brain wandering off into the ether. I drew a direct causal line between all this sort of ratta-tat-tat staccato stimulation that we get from the Internet and my growing inability to sit down and read anything that was longer than 500 words. But for me it came back because those synapses were already latent in my brain.
Traffic growled and snarled, rising at times to a machine-gun rata-tat-tat, while pedestrians were scuttling about with that desperate ratlike urgency characteristic of all big American cities, but which reaches its ultimate in New York.
By the time I finished high school, I knew I wanted to become an astronomer. By the time I finished college, I knew I wanted to be part of the American space program. And that's exactly what I did.
After I lost my legs, I got invited to my old high school, and I shared my stories with all the classes. I remember I was so nervous and didn't know where to start, but I knew I had information they could take away.
Seems like just yesterday, you were a part of me. I used to stand so tall, I used to be so strong; your arms around me tight, everything felt so right - unbreakable, like nothing could go wrong. Now I can't breathe. No, I can't sleep; I'm barely hanging on. Here I am, once again, I'm torn into pieces. Can't deny it, can't pretend, just thought you were the one. Broken up, deep inside, but you won't get to see the tears I cry.
I knew that I could sing when I was young. I would listen to a lot of jazz; I'm a big jazz fan. When I first got to high school and studied musical theater, I could sing. But I added certain things to my voice, and I realized after graduating high school that this is the kind of voice I had. It's not very nimble, but it's heavy.
I have 18 tattoos. My tattoos have kind of become their own person. Everybody does stories on them. It is risky to be successful in the fashion industry and to tat your body up, but I figured, the way that I made my career and the way that I am successful is because I have always been myself.
Before the (Olympic) trials I was doing a lot of relaxing exercises and visualization. And I think that that helped me to get a feel of what it was gonna be like when I got there. I knew that I had done everything that I could to get ready for that meet, both physically and mentally
Every great artist must begin by learning to draw with the single line, and my advice to young animators is to learn how to live with that razor-sharp instrument or art. An artist who comes to me with eight or ten good drawings of the human figure in simple lines has a good chance of being hired. But I will tell the artist who comes with a bunch of drawings of Bugs Bunny to go back and learn how to draw the human body. An artist who knows that can learn how to draw ANYTHING, including Bugs Bunny.
I always wanted to be an artist, I just didn't know that you could be, or how you could be. I went to an art high school but they never even took me to a gallery.
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