A Quote by Ofra Haza
My childhood was filled with music and singing and a passion for traditional Yemenite songs, picked up from my mother.
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I always wanted to sing, I always loved to sing. As a child I was singing all the time, and my parents were singing all the time, but not the traditional songs because they were very Christian; the Christian Sámis learnt from the missionaries and the priests that the traditional songs were from the Devil, so they didn't teach them to their children, but they were singing the Christian hymns all the time. So I think I got my musical education in this way. And of course the traditional songs were always under the hymns, because it doesn't just disappear, the traditional way of singing.
I don't remember ever not singing. My mother loved music, and she taught me songs, country music, spirituals. I would sing for people and pass the hat when I was 4.
Writing songs out of my faith was a real natural progression. I grew up singing in my dad's choir and singing with my family. Christian music became the music that I identified myself with and was a way that I expressed my faith. Even at a public school I would take my Christian music in and play it for my friends.
Occasionally I play the music for my mother when she demands to hear it and she always just says, 'Who is that singing? I don't like the singing.' And then she says 'Who's doing all that bumpety-bump noise?' It's all noise backing up horrible singing as far as she's concerned. She's not a show-biz mother.
I started singing and writing songs since childhood and later started releasing my independent music.
I feel a composer should not crave to sing songs because songs itself decides its voice. The films where I have given music, I have kept my option for the last. I like to make music and not necessarily singing all the songs.
My mother was a music teacher and my grandfather was a professor of music, and there was a lot of singing in the family. It wasn't like trained singing or anything like that, but it was singing.
I have always loved creating and entertaining. It started with music, singing. I grew up in a household filled with music - not pop but old-school stuff, Ella Fitzgerald, Louis Armstrong.
When you're doing the traditional musicals, singing songs that are 40 and 50 years old, you realize there's a reason why those musicals are hits. These are amazing songs!
You start singing by singing what you hear. So everyone, when they first start singing, they naturally are singing like whatever they're hearing, because that's the only way you learned how to sing. So when I was growing up on Lauryn Hill, when I started singing her songs, I literally trained my voice to be able to do runs.
While my father has a music group of his own, my mother sings devotional songs. So, right from childhood I would sit with them during practice and I trained under Vidod Dwivediji.
I grew up listening to a lot of player-piano music in my house and a lot of old Tin Pan Alley songs and American standards. My dad listened to a lot of traditional Irish music and I grew up doing musical theater. So most of the music I was exposed to as a kid was pre-rock n' roll.
I've been singing since I was two. Music was my first passion and I love writing, singing, creating and being creative.
I grew up singing. My mother was a music teacher.
The world is filled with people who are no longer needed. And who try to make slaves of all of us. And they have their music and we have ours. Theirs, the wasted songs of a superstitious nightmare. And without their music and ideological miscarriages to compare our songs of freedom to, we'd not have any opposite to compare music with - - and like the drifting wind, hitting against no obstacle, we'd never know its speed, its power.
The past is filled with people who aren't traditionally thought of as fantastic singers singing these songs that capture people; songs like 'Louie Louie.' I just aim toward that, and I think I've gotten better at it.
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