A Quote by Ok Taec-yeon

I haven't had the opportunity to play the main 'axis of evil' character before, so 'Vincenzo' serves as another challenge to me. — © Ok Taec-yeon
I haven't had the opportunity to play the main 'axis of evil' character before, so 'Vincenzo' serves as another challenge to me.
Syria is still the foundation of the axis of evil, and I'm not sure it's appropriate to transfer Israel's northern front to the axis of evil.
I met Glenn [ Greenwald] briefly in 2009. We were both guests on Real Time With Bill Maher. I was the show's guest and he was on the panel. But this was before the Snowden stuff happened. I didn't have the opportunity to meet him in preparation for the movie, unfortunately, for various reasons. But I was able to dive into the main articles he's written, and interviews with him, and just the function that the character serves in the movie, that was enough for me.
I don't know quite how a story develops in my head. It is a bit chaotic. If I am working on a series, one of the main characters at least is already in existence as well as some setting and minor characters. Finding the other main character can be a challenge. Sometimes this character already exists in a minor role in another book.
Eurasia's main axis is east/west, whereas the main axis of the Americas is north/south. Eurasia's east/west axis meant that species domesticated in one part of Eurasia could easily spread thousands of miles at the same latitude, encountering the same day-length and climate to which they were already adapted.
I guess it's one thing to play a character and relate to a character, and it's a lot closer to me than people might think. They are obviously watching a person with another name. But when they are listening to my music, it's way more me and my story and my words . . . that is the main difference in that.
I'm very fortunate that I get asked to do very different kinds of roles and I realize how much I enjoy that. I enjoy the challenge of transformation. There are actors who play one character, or a certain kind of character, the whole of their lives. I really relish the opportunity to have the challenge to totally transform.
Back when George W. Bush was identifying his Axis of Evil, it struck me that a longer and more instructive list could be compiled of the Axis of the Humiliated (or Insulted and Injured, to borrow from Dostoevsky).
'Deadwood' was just a wonderful opportunity for me. Outside of my own things that I've written, I hadn't had the opportunity to play a character with that amount of depth and range.
Whether it's the Axis of Evil, or the evils of eating meat, it is a concept that has all but lost the impact it once had, because everyone thinks different things in this world are evil. PETA thinks what we do to animals is evil, but I think their overzealous approach is evil. Evil, in more ways than one, is comparable to the truth: definitions vary from one individual to the next.
Vincenzo is a delightfully-refreshing dark hero who repays evil for evil.
Jekyll is quite me: young man; polite. But being able to play Hyde was quite fun, to create a character that's nothing like me. I quite enjoyed creating a new character like that: he had a different voice; physicality; mannerisms. Everything had to be thought about. It was a real challenge.
While I'd like to make movies that are uplifting, there's always that part of you that goes, 'I want to play the evil guy because it's not me.' So anything that is not me is a challenge, and if I rise to the challenge, then I've kind of proved myself.
That is the America which stands not in pursuit of an axis of evil, but which is itself at the axis of hope and faith and peace and freedom.
One of the things that upset me a lot, and I'm pretty open about it is people that challenge my character or challenge my commitment to my job or the game that I play.
Yes, I play this evil, mean character Victoria in 'Baywatch.' It is so much fun. I didn't want my first film in America to be just another role.
I must say Steven Spielberg was great to me, and I loved working with him. He called me up on the phone and was like, "I want you to be in this movie - 1941. There are a couple of parts. You can take whichever one you want. One of them is a main character who is involved in everything, and there's another character who has his own storyline and goes off on his own. He's probably the funnier, more unique character." I said, "Well let me do that second one."
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