A Quote by Ok Taec-yeon
It is quite amazing how K-pop has developed over the years. This genre has so many musical components that it has no limitations.
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I think the genre of musical theatre, when it started, the pop songwriters of the time were writing the music. I think sometimes when we write musicals now, we keep writing in that same style, as though that's the musical theatre genre... We have to figure out how to tell stories with the music that we listen to now, or we'll lose our audience.
All the big pop acts that I've been into over the years - whether it's ABBA or Prince - managed to combine amazing melodies and honest human emotion. But coming out of the super-super-commerical pop industry in the 90s, maybe people forgot about the fact that pop music can do both of those things.
At one time musical theater, particularly in the '40s and '50s, was a big source of pop songs. That's how musical theater started, really - it was just a way of linking several pop songs for the stage.
To be able to explore the genre of the musical is nice. It was great to be able to sing professionally, for the first time, and dance, which was something that I did growing up, but I had not done for many, many years.
Pop managers are fixed in the dramatic stock character repertoire too, ever since the first British pop film musical, Wolf Mankowitz's 'Expresso Bongo' of 1959, with Cliff Richard as Bongo Herbert and Laurence Harvey as his manager. The key components were cast as X parts gay, X parts Jewish and triple X opportunistic.
Pop music is the one genre that isn't a genre. If the kids like it, then that's what defines it as pop music. Pop music is just something new.
I'd been wanting to try a YA novel for years because I saw how exciting the genre was and how amazing, hungry, and curious the readers were.
People get bored of hearing the same genre of music over and over again. Observe the current musical landscape and predict what "mood" people will be in next. Ask yourself what would be the most natural transition or reaction to the current genre. Then create it!
I was born on Halloween night, 2:00 am on November 1st, but still Halloween night in the USA. I think it was a destiny for me to work quite a bit in the horror genre. I love the horror genre. Since I was a teenager, my friends and I used to go to a video store and rent many horror movies that we would watch over the weekend and then scare each other at school. I've been fascinated with the horror genre all my life.
Over the course of many encounters and many years, I have successfully developed a standard operating procedure for dealing with big, nasty monsters. Run away.
Traveling fast over complex technical terrain requires a high level of technical ability and the endurance to support it. These two quite divergent capabilities need to be developed over years of practice. Omitting either limits your potential.
Over the past few years, many of us have increasingly begun to question the direction and meaning of our society as it has developed over the past several centuries.
I feel like, genre-wise, the walls are coming down in Nashville. There are so many writers who have moved to town from all walks of life. There's this immense respect for country, but there are pop songwriters, R&B. Nashville has become sort of this go-to writing city for every genre.
I think Labrinth is an amazing writer and an amazing singer. His voice is just so magnetic. There are so many people that I would work with inside and outside of pop.
Your average pop song or film is a very sophisticated item, with very sophisticated ways of listening and viewing that we have not really consciously developed over the years - because we were having such a good time
Your average pop song or film is a very sophisticated item, with very sophisticated ways of listening and viewing that we have not really consciously developed over the years - because we were having such a good time.
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