A Quote by Ok Taec-yeon
Not as many idol stars were acting back then, and I had to suffer a lot of criticisms. However, I still did my best because I did not want to miss the chances that I was given.
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I guess I did a couple of things when I was a kid, but they weren't really acting - I think I walked down a corridor or something. Then I didn't want to do it at all. I got into it because both my parents were actors and so I went with the flow. Then I said, "I can't handle this, I don't like auditioning." I still hate auditioning, but it's less painful then it was back then.
We have a lot of argument about laws but none of it solves the problem. Let's examine what happened, why did we miss the Tsarnaev brothers, why did we miss the San Bernardino couple? It wasn't because we had stopped collected metadata it was because, I think, as someone who comes from the technology world, we were using the wrong algorithms.
I did a lot of serious plays, and I did the Oxford Review as well, which is supposed to be funny, but I'm not sure how funny we were when we did it. Then, when I finished my course, it was only then that I decided to go to drama school and try and do acting because I was enjoying it so much and so on.
The core community is passionate about quality and getting it right. If you want to read some good criticisms of Wikipedia, probably the best place to go is to the Wikipedia article called 'criticisms of Wikipedia'... It was either the dumbest thing or the smartest thing I ever did. The dumbest thing for the obvious reasons, but the smartest thing because I don't think it could have had nearly as much impact as it has. One of the key things that inspired people to put a lot into it (was the charity aspect).
When it was first optioned, I was told that the chances of The Basic Eight becoming a film were slim because no one was making teen movies, and then later, I was told that the chances were slim because there were so many teen movies, and then I was later told that the chances were slim because teen films were over. I'm not sure when the magic window of opportunity was, but perhaps it's still on the horizon.
We moved around a lot at first as a kid, and then I was on the road at 17, and new in town by the time I got to LA, and then famous again with that whirlwind. I did really want substance in my life, and when I stopped with the road for my children, it was really because I didn't want to miss out. It wasn't just selflessness. I didn't want to miss out on that.
My pictures had and have secret lives, and so there were things I did not tell, a lot of stuff I did not say back then which I'm saying now... I intend to continue allowing forms of secret life to paintings I'm working on right now because it excites me to do that.
FALLING STARS: Do you remember still the falling stars that like swift horses through the heavens raced and suddenly leaped across the hurdles of our wishes -- do you recall? And we did make so many! For there were countless numbers of stars: each time we looked above we were astounded by the swiftness of their daring play, while in our hearts we felt safe and secure watching these brilliant bodies disintegrate, knowing somehow we had survived their fall.
I did theatre a lot when I was a kid. Then I went to acting school in New York. I did a lot of behind the scenes in college. I wanted to learn while I had the time. I studied theatre and film in different capacities.
I moved to Chicago and I did theater, and then I started writing and I stop acting and I did sketch. You know, I did all of the things that, if you were serious about doing television, don't do.
I'm a Brit and I just put myself on tape, back in London, for a very distant American project that I thought I didn't stand a chance of getting. And then, I got a call about a week after I had submitted my tape, just saying, "They really like you and want to screen test you." So, I flew to L.A. and did the screen test. And then, I met Elijah [Wood] and did a screen test with him. And then, I had a very nerve-wracking few days back home, waiting and waiting and thinking, "This cannot possibly go my way because that would just be too good to be true." And then, it did.
Back then I was still listening to rhythm and blues, and my aunt took me to see a Pete Seeger concert. And it gelled. He made all the sense in the world to me. I got addicted to his albums, and then Belafonte and Odetta - they were the people who seemed to fuse things that were important to me into music. I think Pete the most because he did what he did to the point where he took those enormous risks and then paid for them.
I believe you have to start with a craft; you don't just start with a dream. You've got to put a lot of work in. If you want to pursue acting, then you go to acting class. If you want to be a dancer, then you learn to dance, which is what I did.
I did a lot of theater in college, and I knew that not many people make it, but I just figured, 'Well, I really want to try acting while I'm young, and I don't ever want to look back and say that I never gave it a try.' I fully figured I'd be back in grad school - probably for psychology.
For many years, I did my best to report on the issues of the day in as objective a manner as possible. When I had my own strong opinions, as I often did, I tried not to communicate them to my audience. Now, however, my circumstances are different. I am in a position to speak my mind. And that is what I propose to do.
I've always been honest with all my kids. So I - if they did well, they did well. And if they didn't, actually, I asked, did you try your best? And if they tried their best, then, you know, I back out because I expect them to be honest with me or with themselves. And I can't make you go out there and work out hard.
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