A Quote by Ok Taec-yeon
It seems that people view idol stars in a bit different perspective now, and I am going to keep singing and dancing until whenever I can.
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I become the stars and the moon. I become the lover and the beloved. I become the victor and the vanquished. I become the master and the slave. I become the singer and the song. I become the knower and the known. I keep on dancing then, it is the eternal dance or creation. The creator and creation merge into one wholeness of joy. I keep on dancing and dancing...and dancing. Until there is only...the dance.
I need to keep my dancing on the right side of weird, otherwise it might get a bit like "American Idol."
I'm singing and dancing and playing guitar. I really enjoy pushing myself into different aspects. I'm not going to do this for the rest of my life, but I want to keep challenging myself. And if I'm fearful of something I definitely want to step into it and see how good or bad I am at it.
I'm proud of everything I achieved with 'Idol,' and away from 'Idol' also. It's just such a different show now to what it was when I was on it. I didn't even know it was a TV show until the third audition.
What made 'American Idol' different from 'The Voice' and all these other singing competitions... 'American Idol' just gave regular old normal people like me and like Trent a chance.
Whenever humanity seems condemned to heaviness, I think I should fly like Perseus into a different space. I don't mean escaping into dreams or into the irrational. I mean that I have to change my approach, look at the world from a different perspective, with a different logic and with fresh methods of cognition and verification.
Seen from the point of view of the composer, the most nonsensical practice is that of casting people in musicals who are unable to sing. No one would cast a dancing part with someone who cannot dance sufficiently to come up to professional standards. The same is true of acting. But when it comes to singing, more often than not it is amateur night. . . . Either musicals should be written for specified performers in the first place, or they should be cast with people who are adequate to its dancing, acting and singing demands.
It is the passion inside me that means I keep going. I love what I do, and I think I am lucky to do it. When I am riding a quiet country road, I hear the birds singing and think, 'I am in my office now.'
I don't view interviewing as much of a performance. My whole life is in essence a performance but singing and dancing for television is an entirely different thing.
I was okay with singing. I always sneak a song into everything I do. Dancing, a little awkward. Little embarrassed about that. I don't move well. But I was with a frog, so it doesn't matter. I'll do anything with a frog, that's my motto. He's great with tap-dancing or flap-dancing on my head. So no one's going to be looking at me when we're doing that dance. They're going to be saying, 'There's a frog dancing'.
I am going to keep on singing. I have no intention of retiring. Actually, I always wonder whether people know my songs in the different countries I visit. I feel nervous over whether they will sing along with me or not.
On the 'Jersey Shore,' people got a glimpse through a keyhole of who I really am. But the world really started to see me on 'Dancing With the Stars.' I am not the best dancer. That was never my strong point. But I wanted to let people know, hey, this kid is risking a lot just to know a different side of him.
We've taken Japan's 'idol' music genre of pretty girls singing and dancing and added 'kawaii metal,' which is totally new.
I miss All Stars, by the way. I was just telling people: how am I going to get by until January?
Dancing was my sport when I was younger. So I chose that over everything. And then, I just had to keep going because it became a competitive thing. But I'm not trying to impress anyone anymore. Dancing is more like my art, now.
I've gotten a little superstitious about listening to music when I write. Once a story is going somewhere, I keep listening to the same music whenever I work on that story. It seems to help me keep in voice, and alternatively, if I need to make some kind of dramatic shift, I'll go and put on something different to shake myself awake...
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