A Quote by Ok Taec-yeon

As an actor, I need to convince the audience that the character that I'm playing is real, and the situation that this character is in is also real. — © Ok Taec-yeon
As an actor, I need to convince the audience that the character that I'm playing is real, and the situation that this character is in is also real.
I think, for every actor, the most challenging part of playing a character, specially a real-life character, is to convince yourself that you are the character.
The only thing that I know how to do as an actor, as a trained actor, is you can't villainize the character you're playing. Whether it's a fictional character or a real character. Because then you operate from that sort of negative point of view, and you can't humanize him.
Playing a real-life character, as an actor, gives me real high because there is so much of research material available in front of you.
Real religion is about, developing real character; character of compassion, character of humility, the character of determination to grow in all circumstances.
I feel it's very important for an actor to believe in the character that he/she is playing and do full justice to it in order to convince others that you are the character you are portraying.
I need to react to a script, to feel strongly about it in some way. And I need it to be a complex character for sure. And also, I think a lot about what kind of audience there is for the film, what they're looking for and ways to connect with them in the playing of a character.
With the type of actor I am, which includes really diving into a role and making it as real as possible, there's nothing better than working in a real environment on location. It forces you to feel what the character's feeling, and it allows you to live in the space of the character.
Unless you're playing a real character based on a real person, if someone else has done it before, you're probably better off not watching it as an actor. Otherwise you end up trying to copy someone else.
I would love nothing more to participate in a real struggle to find a character, and really delve into and develop a character. That's why I'm an actor.
There's an audience that is paid to laugh at my jokes. I'm playing a character while I'm doing stand-up. Real stand-ups, man, they're playing themselves. I'd be far too terrified.
Even though the 'Shooter' character on TV is so close to the real-life me, I'm still playing with ways to creatively portray that character.
I always tell myself that when you're playing a character, pretend they're on trial and you're giving the best witness of their life. You really need to think about every element of the character and represent them properly, as if they were a real person. You want to give 100 percent of what they're worth and what they deserve as people.
I liked 'Scream of the Banshee' because it was a real challenge. I thought, 'How am I going to pull off this character?' But, I also thought, 'Oh, man, I'm going to go for it.' He's got all the defects of character that an actor loves to play. So, I had a really great time.
Every characteristic of my character and my moves always came from my real life. My character is kind of close to my real personality.
What I do is to collaborate with each actor and work one-on-one to create a character. And that is a matter of huge complexity and is a combination of a great deal of discussion and a lot of practical work. It involves a lot of consideration for the real people out there, and all kinds of sources of real people. The result is the character. But I'm not supposed to talk about what it is we do, because it's nobody's business.
Just look at the history of cinema. The most reproduced male character is probably the hero and the most reproduced female character is probably the sex object. I think those stereotypes have been reproduced over and over again. It also changes our expectations when it comes to a situation like this in real life.
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