A Quote by Ol Parker
I hired people who would help me, you know, like a director of photography who wouldn't blind me with jargon about ratios and pull-downs.
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The Winter Photograph was my Ariadne, not because it would help me discover a secret thing (monster or treasure), but because it would tell me what constituted that thread which drew me toward Photography. I had understood that henceforth I must interrogate the evidence of Photography, not from the viewpoint of pleasure, but in relation to what we romantically call love and death.
It's possible to think of photography as an act of editing, a matter of where you put your rectangle pull it out or take it away. Sometimes people ask me about films, cameras and development times in order to find out how to do landscape photography. The first thing I do in landscape photography is go out there and talk to the land - form a relationship, ask permission, it's not about going out there like some paparazzi with a Leica and snapping a few pictures, before running off to print them.
I was a bartender in New York and I overheard this girl saying she made $3000 doing a commercial. A kid at work told me, 'Hey, I know this director and he'd really like you!'. So I walked into this guy's office and was like 'I was thinking maybe I could make $3000' and he hired me for commercials, short films, like 15 jobs in a row.
I make it happen. Who bought Alex Haley's book 'Roots' for TV? Me. I hired the director, hired the writer. I put them all together. I'm like the chef. If I mix all the ingredients right, it's going to taste terrific. If I don't, it's not going to come out good.
People would always try and set me up, which was awkward. You can't set me up on a blind date because she will automatically know more about me.
Usually what happens is somebody grabs me and they always pull me off to the side. Nobody ever does it publically. They say, "I didn't want to be here." Or, "I don't usually like people like you." Or, "I didn't believe the things you actually talked about would work. I'm here to tell you that you converted me." That happens a lot.
I want the look of a movie to be secondary. I really want people to be engaged in the story and the characters and not think about a style or think about me or think about the director of photography and what a great job he's doing. I never feel like that should be there.
Ranger removed my goggles "Would you like to come home with me?" I stepped away from him. "Thank you for the offer, but no. I'm done with men." Ranger smiled. "Forever?" "Until I figure some things out." "And if you don't figure them out?" "If I can't figure them out on my own, I'll ask you to help me." "Babe, that's like the blind leading the blind.
I'm an optimistic guy.It's just as much the case that people will come to me and ask my opinion about how to properly include the Muslim community, as it is that people will come with some hateful stuff too. When people come to me about my religion, it's not always a thing of "we don't want people like you here," which happens sometimes. But mostly it's people who would like to know more. I get a chance to help people understand the religion better.
When Complex hired me, originally I wasn't at First We Feast, I was just like a hired hand for Complex. They'd send me out to different events or they'd have people visiting the office and I'd do interviews with athletes, musicians, whoever.
We and you ought not to pull on the ends of a rope which you have tied the knots of war. Because the more the two of us pull, the tighter the knot will be tied. And then it will be necessary to cut that knot, and what that would mean is not for me to explain to you. I have participated in two wars and know that war ends when it has rolled through cities and villages, everywhere sowing death and destruction. For such is the logic of war. If people do not display wisdom, they will clash like blind moles and then mutual annihilation will commence.
Sometimes people will approach me on the street and ask me very personal questions about my dating life. Fans talk to me like they know me, and it's like, 'You don't know me. You know my character, but you really don't know me.'
God has gifted me in communication. He has given me a gift to be very open about myself, which seems to really help a lot of people. It's not even anything I do on purpose. It's just something I don't have a problem with. I don't care what you know about me if it will help you.
People who know your work and know your personality, they know your strengths and weaknesses. A director like Guillermo del Toro, he knows more about me than I do. I trust him when he tells me what part I'm going to be playing in something, because he's envisioned that that can only be done by me. He knows it.
I meditate and try to walk outside daily. I prefer to now spend my time with people that I know truly care about me and are there for me at the end of the day - through the ups and downs - because that is what life is about.
When you talk with your mother you are one person; when you go to the bank or you're with your girlfriend you are another person, and that's the way I act. Then for me, it's important that I trust a director and as soon as I do, as soon as I feel comfortable with him, then I pull something out of myself that I didn't even know I had inside of me. That's what I like about this job.
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