A Quote by Ol Parker
There is a scene that I wrote with the line, 'It's a terrible day when a man's daughter brings a boy home for the first time.' I'll never be ready for it, I would like to stop my children growing, I don't know how to handle it.
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When I wrote my first film and then directed it and I looked at it for the first time on what's called an assembly, you look at this movie which is every scene you wrote, every line of dialogue you wrote and you want to kill yourself the minute you see it. It's like, 'How did I write something so horrible?'
Dear Brothers and Sisters, Never resort to war! Never war! Above all, I think of all the children who are robbed of their hope for a better life and a decent future. Killed children, wounded children, mutilated children, orphans, children who play with remnants of war, instead of toys. Children who don't know how to smile. Please stop! I ask you with all my heart. It's time to stop. Stop it please!
Sometimes I'll say, "I wrote that book," and the person will look at you as if you're really strange. One time that happened to my daughter on a plane. She was sitting next to a girl who was reading one of my books and my daughter said, "My mother wrote that book." And the girl started to quiz my daughter, asking her all sorts of questions, like what are the names of Judy's children and where did she grow up. My daughter thought it was so funny.
Many years ago I had two small children, and I wanted to be able to be home when they got home from school. And I didn't like the direction journalism was taking. I thought if I could write books, I could work at home and have the best of both worlds. I wrote my first mystery while still working full time, and it didn't sell, but the next one did sell, so I quit my job for the world of fiction. Scary, but I've never regretted it for a single day.
There will be no 'Mommie Dearest' in the lives of my children, and no books like the one the Crosby boy wrote about Bing, or Bette Davis's daughter has written. My children love me very much, and they are loved.
You know what it would just be amazing to be remembered, you know like a mum telling a daughter ‘the boyband of my time, One Direction, they just had fun and they’re just normal guys but terrible, terrible dancers.’
I did some writing for that movie. The remake of Planet of the Apes. I didn't write the script. But I wrote some lines that they ended up... not using. ... I wrote one line. I thought it would've been perfect. I don't know if anyone saw the movie. It's the scene where the ape general comes in. And they're trying to decide if they should attack right there, or wait until a little later. And I wrote: "Man these bananas are good!" But they didn't use it. I did all of that research.
People would stop me in the street - my demographic tends to be the elderly Jewish women from Miami; I think they tend to fancy me as someone that would've been good with their daughter or something - and a lot of them will do the wrist-slapping thing. "Oh, you're a terrible man! Just terrible!" And I'm, like, "Well, it's just a show. I'm just playing a character."
Oh, friend, forget not, when you fain would note In me a beauty that was never mine, How first you knew me in a book I wrote, How first you loved me for a written line.
The truth is we never stop being children, terrible children covered in sores and knotty veins and tumors and age spots, but ultimately children, in other words we never stop clinging to life because we are life.
Kids are growing up and they don't know the difference between fact and fiction. The line is getting blurry. I can handle it, you know; I'm a big boy. And the entertainment industry has always been crazy. But the problem is, it spills over into some very serious issues, in politics and real newsworthy stuff.
You're looking, moment by moment and scene by scene, how you can tell the most interesting story. So, we had this great short and we knew that we had a story about a boy and his dog. Because we had that pure emotional core, we could go on crazy tangents and always come back to Victor and Sparky. When I wrote in stuff like Weird Girl and the cat poop, Dutch Day and the windmill, it felt like it was part of Tim's universe.
Some may say that such a girl is not ready for a relationship with a man, especially a man in his late sixties. But to that I say: We don't know anything. We don't know how to cure a cold or what dogs are thinking. We do terrible things, we make wars, we kill people out of greed. So who are we to say how to love. I wouldn't force her. I wouldn't have to. She would want me. We would be in love. What do you know. You don't know anything. Call me when you've cured AIDS, give me a ring then and I'll listen.
You're sad-looking," she said. "My grandson used to be such a happy boy. He used to write me stories. I remember the first story he ever wrote me, 'Once upon a time, there was a boy.' And that became 'Once upon a time there was a boy who wanted to fly.' And they kept getting better and better over time. I never found out if the boy got to fly." I gave her a small smile. If only she knew the boy's wings had been clipped.
I would like to see every woman know how to handle guns as naturally as they know how to handle babies.
If one day I have a daughter and my daughter wants to be a model, I would never let her! But then, if she wants to, what can I do? But definitely not until she's 18 years old. You know, every work has the bad side, and people will be mean to you, and when you're young, you don't know how to defend yourself.
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