A Quote by Ol Parker
I guess if you try to write with honesty and emotional truth, then that will resonate no matter what the age of the viewer.
Related Quotes
You want to try and bring a character to life in an honest a way as you possibly can. It doesn't matter whether he's a doctor, an actor, a car salesman or a captain of a starship. If you can bring truth and honesty to that character, then your audience will believe you.
I do not think one can assess a writer's motives without knowing something of his early development. His subject matter will be determined by the age he lives in ... but before he ever begins to write he will have acquired an emotional attitude from which he will never completely escape.
I think if you're writing from the heart, very often, the subject matter will adjust as you age... but you try to write the best song you can possibly write. For us, we have the same basic elements that make up the America sound.
In the end, will truth matter? Of course truth will matter. Truth isn't relative. But there's going to be a great sacrifice on the way to getting truth to matter to us again, to finding out why it does, and God knows what shape that sacrifice will take.
I want to explore and do things with excellence. I want to write songs that resonate with me and will resonate with a live audience. I'm exploring fresh sounds.
When social forces press for the rejection of age-old Truth, then those who reject it will seek meaning in their own truth. These truths will rarely be Truth at all; they will be only collections of personal preferences and prejudices.
I guess I'm trying to write stuff that I, as a viewer, would connect to.
I've been told by people who write historical novels that you just sort of write the emotional truth first, the story at the core, and then you go back and research it at the end.
A song that sounds simple is just not that easy to write. One of the objectives of this record was to try and write melodies that continue to resonate.
I will write in words of fire. I will write them on your skin. I will write about desire. Write beginnings, write of sin. You’re the book I love the best, your skin only holds my truth, you will be a palimpsest lines of age rewriting youth. You will not burn upon the pyre. Or be buried on the shelf. You’re my letter to desire: And you’ll never read yourself. I will trace each word and comma As the final dusk descends, You’re my tale of dreams and drama, Let us find out how it ends.
If something inside of you is real, we will probably find it interesting, and it will probably be universal. So you must risk placing real emotion at the center of your work. Write straight into the emotional center of things. Write toward vulnerability. Risk being unliked. Tell the truth as you understand it. If you’re a writer you have a moral obligation to do this. And it is a revolutionary act—truth is always subversive.
I am very conscious of the viewer because that's where the art takes place. My work really strives to put the viewer in a certain kind of emotional state.
No matter how plain a woman may be, if truth and honesty are written across her face, she will be beautiful.
If my voice can resonate that way with kids, maybe it will resonate through 'Planes' as well, and they'll hear that little something that I'm giving to them, a performance that says to them, "I want to try." It's all interconnected. I don't think it's thinking too deeply about it.
I cater to a viewer because that viewer's taste matters more than anyone else's, and I will keep him first in mind and then, if it also appeals to the critics, so be it.
No one's quite figured out how to make the images come to the viewer. I guess if they put it on a conveyor belt, you could stand in one place like at sushi restaurants. That could be a next generation of museums. Someone should try that. I think ideally you want to have a contemplative space for the viewer. And shuffling around like a chain gang does work against that.
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