A Quote by Olafur Eliasson

By bringing Little Sun to Tate Modern and the London Olympics, I hope to realise an art project for those who typically have no access to global events of this scale. — © Olafur Eliasson
By bringing Little Sun to Tate Modern and the London Olympics, I hope to realise an art project for those who typically have no access to global events of this scale.
My dream is for my flowers to act as beacons and rallying points across the planet - bringing people together on a global scale and through my art start a global conversation.
I love Tate Modern; there's such great style and shopping here. I love the galleries and the pubs out on the street, just having your pint as the sun is setting.
How about those Olympics, ladies and gentlemen. Didn't London look like the place to be? New York City was in the running for this Olympics. But here's what happened. We got outbribed.
I went to the big Picasso retrospective at the Tate in the sixties, and I think I went to an Andy Warhol retrospective at the Tate in the sixties, too. My mother was very good at taking me to things like that. We lived in Reading, but we went on these cultural trips to London.
The Olympics was something amazing for the U.K. in bringing people together and giving the population hope.
We need to evolve and articulate a global ethics for a global civilization that integrates and evolves the passionate truths of every great system of knowledge - pre-modern, modern, and post-modern.
We should not let those with a political agenda use London's growing population to support their anti-immigration rhetoric, and we should challenge those who want to label London's global attraction a flaw rather than a strength.
I love going to art galleries. The Tate Modern is one of my favourite things to do. But I don't invest in the history of it and I don't read up on it. I am a guy who would buy a print rather than buy an original.
The sun does not shine for a few trees, and flowers, but for the wide world's joy. The lonely pine on the mountain-top waves its sombre boughs and cries, 'Thou art my sun.' And the little meadow violet lifts its cup of blue, and whispers with its perfumed breath, 'Thou art my sun.' And the grain in a thousand fields rustles in the wind, and makes answer, 'Thou art my sun.' So God sits effulgent in heaven, not for a favored few, but for the universe of life; and there is no creature so poor or so low that he may not look up with childish confidence and say, 'My Father, Thou art mine.
I'm obviously first and foremost a British filmmaker on a global scale, but when it comes to narrowing it down, I really feel like my voice is in the Midlands and outside of London.
London is the only true global capital market in Europe and E.U. companies still need access our large liquid markets.
If you care about shorebirds and the habitats they rely on, you can’t do better than supporting Manomet’s Shorebird Recovery Project. It connects, nurtures, prods, and fertilizes, at a global scale.
Hate is on a scale, and is growing on a planetary scale of unprecedented size. The violent left is coming to our streets, all of our streets, to smash, to tear down, to kill, to bankrupt, to destroy. It is will be global in its nature and global in its scope.
Marxism, Freudianism, global warming. These are proof - of which history offers so many examples - that people can be suckers on a grand scale. To their fanatical followers they are a substitute for religion. Global warming, in particular, is a creed, a faith, a dogma that has little to do with science.
In fact, if you were interested in a global platform there are only three sporting events: probably the most powerful - or equally powerful [to F1] - are the World Cup and the Olympics, and then Formula One. And there it gets interesting.
Do you know what it takes to do [a global art project]? People, energy, glue.
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