A Quote by Olafur Eliasson
I don't think you need to be so result-oriented when you're trying to define the success of an art work. I think we can allow some unpredictability.
Related Quotes
I think there's a gradient that goes from science to art and magic is the middle ground. I think that we're all trying to understand and define the world around us but often it's experimental.
It is just so satisfying to create work that is beyond the framework of language. I think for me that when I make art, I allow myself the opportunity to think with my hands as well. The thing about writing is that you're constantly grappling with every word, because it is removed from the consideration of words in many ways, it can just allow you to move through the art. I discover things in the act of making.
Fame is something I think happens as a result of trying to do good work. If you're trying to be famous, your work usually suffers.
Most people define "street smarts" as some innate ability to make savvy decisions, or one that has developed as a result of a person being confronted with very challenging circumstances in the past. I think another common term that is used is one who has amazing "business acumen." But, whatever we call it, it is always associated with some mysterious ability, only a few possess, that allow them to make better decisions than the rest of us.
I think all art - if it's good - is a result of really trying to create something that you can't put into words. Where language ends is where good art begins.
When you're successful at something, you think that you need to continue to do what you're doing to get the same result. But I think in order to get better, sometimes you need some failures.
Art movements are always linked to some kind of turmoil. We can look at history and see that [political turmoil is] fertile ground for art. I also think that it gives artists something, a way of kind of processing. My friends and I have all been super motivated to work and to do the work that we need to and want to and think should be in the world. Hard times are really a fire under your ass to prioritize and think, "Okay, how can I challenge myself to put something in the world that wasn't there that can reach other folks and help them to process"?
If you meditate, meditation is so beautiful, who bothers about the result? And if you bother about the result, meditation is not possible. This result oriented mind is the only barrier, the only block. There are not many blocks, the only block is that of the result oriented mind: never here-now, always somewhere else thinking of the result; while making love, thinking about the result.
I think we need to think of lots of ways to communicate. And we tried some at 350. We organised what they called the largest art project in the planet's history. We do a lot with art and music and things.
I'm impatient. Typically people think they know all about change and don't need help. Their approach tends to be more management-oriented than leadership-oriented. It's very frustrating.
In a person's career, well, if you're process-oriented and not totally outcome-oriented, then you're more likely to be success. I often say 'pursue excellence, ignore success.' Success is a by-product of excellence.
I think there's quite a narrow representation of gay people on TV and I think that we need to push that. And I think that we need to allow for a lot more stories to be told.
I think casting is really important. Finding the right sensibility for the right part is an art in itself. If you're off there, you make it harder on yourself as a director. And it's fun to work that out with the actors. I don't think there's any magic to directing actors. It's very instinctual. Working with actors is really one of my favorite creative moments of the whole process, and the most fun, because it's collaborative. I spend a lot of time rehearsing. I'm very rehearsal-oriented, probably because I have some background in theater. I like knowing what will work beforehand.
The secret of a successful art career is to make more art that folks think they need than pieces they just want. When a piece of art emotionally connects with a person the work becomes a need. You are then on your way to becoming successful.
I don't think you need any kind of backing here in the industry. I think what you achieve in your life is the result of your own talent and hard work.
All too often, when people think about art in the U.K., they think London. There's some really great work being produced outside of the capital city and I think it is important to stop and acknowledge that.
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