A Quote by Oleg Cassini

Clothes are designed for the media, because it's a great show. — © Oleg Cassini
Clothes are designed for the media, because it's a great show.
Women are wanting to wear my clothes not only because they're great clothes but because of what we represent.
I was so aware of the stage clothes versus the everyday-life clothes, and the extremeness of the stage clothes that my parents had designed. Even coming across my dad's old Beatles suits from Savile Row and the history attached to them - the masculinity and simplicity compared to the '70s glitz and glamour of Wings.
Designing kids clothes is something personal to me because I'm a mother. So to be able to see my kids wearing something I've designed is very fulfilling. With the kids' collection, we really try to focus on great quality with an accessible price point in styles that appeal to both parents and kids.
The French legend is a very simple one. All really beautiful clothes are designed in the houses of the French couturiers and all women want those clothes.
He was doing - Ray was designing the clothes for my mom's show from California. And one of the first appearances I ever made on television was on my mother's show and Ray and Bob did the clothes for that. It has been a long time.
In horror films, they sometimes don't show the monster because our imaginations and our own pain is so much greater. Social media is like that. I think it's so great. It doesn't have to show a monster - when you see someone leaving a mean comment, or living a so-called perfect life, you just put all of your pain into that.
I like clothes that are fashionable but also have great messages for lifestyle, and 360 does just that - the sweaters are for women of all shapes and sizes and are designed to allow a woman to feel beautiful and chic from the inside out.
A lot of my social media posts are about celebrating these women who wear our clothes, feel great in them and have comments.
I have learned one thing, because I get treated very unfairly, that's what I call it, the fake media. And the fake media is not all of the media. You know some tried to say that the fake media was all the media, no. Sometimes they're fake, but the fake media is only some of the media. It bears no relationship to the truth.
I think that because I'm overweight, [my] fantasy was lightness. So I project my fantasy to the clothes, and now all I do is light, light clothes because it's the one thing I don't have. That is why I'm too afraid to lose weight because then I might make heavy clothes.
I think that the social media space is great because that's where my bread and butter is, but I want to jump into doing traditional media and other fun things.
I don't put a ton of time into my on-stage style, largely because I'm dumb about clothes. But I have friends who are very smart about clothes, and they teach me things. For the show, I'm mainly concerned with feeling comfortable, being able to jump around and get wild.
I always designed clothes from a very young age because I didn't like the way they were. They were paralyzing; they were stilted.
On every film, the clothes are half the battle in creating the character. I have a great deal of opinion about how my people are presented. We show a great deal by what we put on our bodies.
I would splurge on a great pair of high heels, because you can wear them to something fancy, but regular clothes? I'd rather go on a trip than spend $10,000 on clothes, and fly first class as a treat.
It's very important that we give a voice to the voiceless in terms of media; because media is a global phenom and it portrays you dependent upon what controls you have and the writers are doing great work.
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