A Quote by Oleta Adams

From the church I received a spiritual foundation that has kept me balanced. From the gospel music I learned the importance of singing with emotion- authentic emotion- not contrived- which has made my music endearing.
Everybody's looking for some kind of authenticity in music. Or some kind of truism, you know, "This is true!" And the thing about gospel music is, these people are singing about their faith. So it always comes across with, as authentic, you know? Gospel choirs put across this amazing sound but they're singing from the heart because they truly believe it. And I kind of have that faith, but I just have that faith in music.
Like all soul singers, I grew up singing in church but sometimes I would leave early and sit in the car listening to gospel band, The Blind Boys of Alabama. Hearing their lead singer Clarence made me connect the idea of church and show business and see how I could make a career singing music that stirred the soul.
I call this my church house trilogy. Souls' Chapel really was music from the Mississippi Delta, which to me is a church within itself. The Delta is the church of American Roots music. The Badlands is a cathedral without a top on it. And the Ryman has been called the Mother Church of Country Music, but to me it's the Mother Church of American Music. If you can think it up, it's been done there. In my mind, this is kind of a spiritual odyssey as much as anything else, and I had the settings of three churches to make it in.
Jesus, music has always been my first love. I use music in my work because it's the fastest way to an emotional place. You hear a song, and that memory comes right back-- you're there... Making music is immediate, and it's all about you. If you're playing guitar, the feeling comes through-- the way you bend the note, the intensity with which you hit the strings. With making films, although it's real emotion, it's false emotion. You're lying.
No matter what these people say about me, my music doesn't glorify any image. My music is spiritual when you listen to it. It's all about emotion, I tell my innermost, darkest secrets.
When I started saxophone, my dad took me to my uncle's church, and I started playing there, too. At its best, music serves a greater purpose, and that showed me a whole other side to spiritual jazz, one which you can hear in the music - the gospel and blues feel, the soul that's embedded into the more avant-garde records.
Singing is a way of releasing an emotion that you sometimes can't portray when you're acting. And music moves your soul, so music is the source of the most intense emotions you can feel.
My entrance to music was singing gospel in church, and to hear that gospel language in a hip-hop song was cool.
I don't care about making anything new. I make music to express an emotion, and if the emotion is nostalgic, so be it.
I listen to music for emotion and I get zero emotion from rap.
Singing is a way of releasing an emotion that you sometimes can't portray when you're acting. And music moves your soul, so music is the source of the most intense emotions you can feel. When you hear a song and you're acting it's incredible. But when you're singing a song and you're acting it's even more incredible.
Music evokes emotion and emotion can bring it's memory.
I had experiences or exposure to music in church. I went to a church, it was very unique. It was a predominantly African American Catholic church. So they would have - one mass would be traditional church music, and then the other mass would be gospel music.
Of all the states of emotion I've ever been in, music takes me to the strongest state of emotion the quickest, of any other sort of state of mind I've ever been in or been put in by any substance or circumstance, music brings me to an emotional state of being faster than anything I've ever known
I'm a church musician. I play gospel music; that's what I do. I never had a chance to produce gospel music, and I did a full album with Lecrae that's the number one Christian album. It's super-big for me.
Music is the shorthand of emotion. Emotions, which let themselves be described in words with such difficulty, are directly conveyed to man in music, and in that is its power and significance.
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