A Quote by Oliver $

The artist who chooses the difficult muse; or only has a difficult muse; should not be surprised with the results. — © Oliver $
The artist who chooses the difficult muse; or only has a difficult muse; should not be surprised with the results.
I was Versace's muse, I was Valentino's muse, I was Alaia's muse, Lancetti's muse, Calvin Klein's, Halston's. I could go on and on.
The concept of muse is alien to me. To speak of a muse implies there is a couple in which one person is the objectified passive element - there to help the creative, active, often male part of the duo to create. A muse is very passive. Who wants a muse? I don't want a muse.
I wake up in the morning, or the middle of the night when an idea comes through. My songwriting style, basically I just write down information given to me from the muse and how that works for songwriters. Record the muse and the muse delivers.
It's not like that when you're a songwriter - songwriters aren't like pulp writers or journalists, even. You just follow the muse. It's called muse-ic. Whenever the muse decides to bestow her inspiration on the songwriter, then the song is born.
There are, it seems, two muses: The Muse of Inspiration, who gives us inarticulate visions and desires, and the Muse of Realization, who returns again and again to say, 'It is yet more difficult than you thought.' It may be that when we no longer know what to do, we have come to our real work and when we no longer know which way to go, we have begun our real journey.
Most people assume that a muse is a creature of perfect beauty, poise and grace. Like the creatures from Greek mythology. They're wrong. In fact, there should be a marked absence of perfection in a muse--a gaping hole between what she is and what she might be. The ideal muse is a woman whose rough edges and contradictions drive you to fill in the blanks of her character. She is the irritant to your creativity. A remarkable possibility, waiting to be formed.
A successful artist is inspired by his muse, and his muse is inspired by the payment of a commission.
The muse is not an angelic voice that sits on your shoulder and sings sweetly. The muse is the most annoying whine. The muse isn't hard to find, just hard to like - she follows you everywhere, tapping you on the shoulder, demanding that you stop doing whatever else you might be doing and pay attention to her.
In spite of its romantic frisson, the position of muse is very vague and largely thankless for the muse herself.
My muse changes all the time because I think every designer is a bit of a muse for themselves in a way - they just don't want to say it.
Most people wait for the muse to turn up. That's terribly unreliable. I have to sit down and pursue the muse by attempting to work.
I find it a great and fatal difference whether I court the Muse, or the Muse courts me. That is the ugly disparity between age and youth.
I'm not in control of my muse. My muse does all the work.
Models are supposed to be a muse to you. Why is a muse always the same body type, the same look? It's boring.
Sometimes I just don't have time to wait for the muse to come, so I've developed things to force the muse to come back.
Everything is my demon muse. I have a muse which whispers in my ear and says, 'Do this, do that,' but it's my demon who provokes me.
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