A Quote by Oliver Burke

Whoever is in place to step forward and play that striker role has to be ready and be prepared to do the work because it is obviously a very tough job up top on your own. You have to put a shift in.
I recently finished a job, an HBO movie 'Getting On,' a very dark comedy. It comes from a British series of the same name. In this role I have no hair, no make up and no nails. I play a very small role; she is not over the top and sassy.
Niang is very good in front of the goal, and he's also a quick learner. He is a versatile striker who can play both as a centre forward and as a second striker.
It takes such a particular amazing and extraordinary type of personality to become an actor. I love them. You can't do my job without them. I've worked with a lot of film actors and most of them are so, so prepared in their approach because they are used to turning up ready to shoot: you have to have your performance, you have to have your lines, you have to have everything pretty much decided and ready to go whenever everyone else is ready.
In terms of work, obviously acting is such a job that is very in the flesh kind of thing. It's your work, but it's your life, in a way. You can get so mixed up.
I feel like I am versatile and can play in a deeper role and obviously in a more forward role. I'm always learning.
Every president learns on the job because nobody`s really prepared for the kind of decisions that cross your desk every day. No one`s prepared for that. No vice president who has scended to the presidency has ever truly been ready for that. Certainly, no vice president who`s assumed the presidency in extremis, like Harry Truman, has been ready for that. But this Trump guy doesn`t seem to be ready for a career in government.
A good play is a good play. If you want to chalk up your rejection letters to the fact that you're a woman, that's your choice. But often you get a rejection letter because your play isn't ready. Or the time isn't ready for your play. And that has nothing to do with gender.
I wasn't your average striker because I didn't play as an out-and-out centre-forward.
As a striker you are always at the top of the pitch when play is going on in and around your own box, so for me playing up here at St James' Park and hearing the noise when Newcastle have scored against us, it's the passion, you see the fans going crazy and it just feels you with energy.
When there's something we weren't prepared for on the football field, you have to be able to use your mind, be creative, communicate, get lined up and get ready to do the play, get ready to execute.
When you makes movies, you usually make good money. But it is also a very tough job. Once you enter the public's eye, you have to be aware that you give up a huge part of your own life. And it is never a job from nine to five.
It could be the make-or-break of getting that job. Obviously, your appearance matters. It helps with your self-esteem. You definitely, definitely want to put your best foot forward.
I used to play as a striker in Holland. I grew up as a striker. That's the position I want to play.
Where I grew up, people obviously knew my dad because it's a small place and he was the top player for Swinton - they'd go and watch him play, see him in the papers, so they knew he was black.
If you arrive at a concert ready to play your piece, that's not nearly good enough. You must have your music ready to the point where you can play it on a short rehearsal, after a long plane flight, on a strange piano, having had an unpleasant lunch, in an unfriendly atmosphere. You have to be so over-prepared that you can cope with anything.
My second year in Rome was very good. Back then, a striker was a striker. Strikers scored goals; they didn't defend. Today this is normal, but it wasn't at that time. If you wanted to play my style of football you couldn't have old players or famous players who were unwilling to do the job both ways: attacking and also defending.
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