A Quote by Oliver Goldsmith
The way to acquire lasting esteem is not by the fewness of a writer's faults, but the greatness of his beauties, and our noblest works are generally most replete with both.
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It is dangerous to explain too clearly to man how like he is to the animals without pointing out his greatness. It is also dangerous to make too much of his greatness without his vileness. It is still more dangerous to leave him in ignorance of both, but it is most valuable to represent both to him. Man must not be allowed to believe that he is equal either to animals or to angels, nor to be unaware of either, but he must know both.
It is at our mother's knee that we acquire our noblest and truest and highest ideals.
Our generation grew up with the Review as a fact of life. It was America’s literary magazine. To our minds, it still is. It has launched our favorite writers. It has made a special claim for the quarterly as such, being both timely and lasting, free of the news of the day or the pressure to please a crowd. Most of all, the Review has shown, repeatedly, that works of imagination can be as stylish and urgent as the flashiest feature reporting, and can do more to refocus our picture of the world.
Every man carries two bags about him, one in front and one behind, and both are full of faults. The bag in front contains his neighbors' faults, the one behind his own. Hence it is that men do not see their own faults, but never fail to see those of others.
There are degrees of loneliness, ways in which the experience of loneliness deepens, becomes something like what we might call a way of life. This way of life is both what is most damaging to us as a culture, and, paradoxically, contributes to its richness. It may in the end be our lasting contribution to the life of our planet.
Where there are many beauties in a poem I shall not cavil at a few faults proceeding either from negligence or from the imperfection of our nature.
Until the 20th century it was generally assumed that a writer had said what he had to say in his works.
Whoever would entitle himself after death through the merits of his Redeemer, to the noblest of rewards, let him serve God throughout life in this most excellent of all duties, doing good to our brethren. Whoever is sensible of his offences, let him take this way especially of evidencing his repentance.
The most tragic consequence of our criticism of a man is to block his way to humiliation and grace, precisely to drive him into the mechanisms of self justification and into his faults instead of freeing him from them. For him, our voice drowns the voice of God.
It has been said that the beauties of the mind are valuable because they are more lasting than those of the body; but I do not remember to have heard it said that the beauties of the mind are valuable because they make those of the body more lasting.
The Greek word euphuia, a finely tempered nature, gives exactly the notion of perfection as culture brings us to perceive it; a harmonious perfection, a perfection in which the characters of beauty and intelligence are both present, which unites "the two noblest of things" - as Swift most happily calls them in his Battle of the Books, "the two noblest of things, sweetness and light."
Men are more readily contented with no intellectual light than with a little; and wherever they have been taught to acquire some knowledge in order to please others, they have most generally gone on to acquire more, to please themselves.
Mr. Brown had thought of nothing but numbers. He should have known that the kingdom of God did not depend on large crowds. Our Lord Himself stressed the importance of fewness. Narrow is the way and few the number. To fill the Lord's holy temple with an idolatrous crowd clamoring for signs was a folly of everlasting consequence. Our Lord used the whip only once in His life - to drive the crowd away from His church.
There cannot be a move glorious object in creation than a human being replete with benevolence, meditating in what manner he might render himself most acceptable to his Creator by doing most good to His creatures.
I think that a visual artist's philosophy develops much more freely than a writer's or a thinker's philosophy. It is not so disciplined. The photographer works with both his eyes and his mind.
All men naturally desire knowledge. An indication of this is our esteem for the senses; for apart from their use we esteem them for their own sake, and most of all the sense of sight. Not only with a view to action, but even when no action is contemplated, we prefer sight, generally speaking, to all the other senses. The reason of this is that of all the senses sight best helps us to know things, and reveals many distinctions.
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