A Quote by Oliver Goldsmith

To the last moment of his breath, On hope the wretch relies; And even the pang preceding death Bids expectation rise. — © Oliver Goldsmith
To the last moment of his breath, On hope the wretch relies; And even the pang preceding death Bids expectation rise.
The wretch condemn'd with life to part, Still, still on hope relies; And every pang that rends the heart Bids expectation rise.
So to be sick unto death is, not to be able to die-yet not as though there were hope of life; no, the hopelessness in this case is that even the last hope, death, is not available. When death is the greatest danger, one hopes for life; but when one becomes acquainted with an even more dreadful danger, one hopes for death. So when the danger is so great that death has become one's hope, despair is the disconsolateness of not being able to die.
Life is nothing but an opportunity for love to blossom. If you are alive, the opportunity is there - even to the last breath. You may have missed your whole life: just the last breath, the last moment on the earth, if you can be love, you have not missed anything - because a single moment of love is equal to the whole eternity of love.
The consciousness of being loved softens the keenest pang even at the moment of parting; yea, even the eternal farewell is robbed of half of its bitterness when uttered in accents that breathe love to the last sigh.
A distinguished man should be as particular about his last words as he is about his last breath. He should write them out on a slip of paper and take the judgment of his friends on them. He should never leave such a thing to the last hour of his life, and trust to an intellectual spurt at the last moment to enable him to say something smart with his latest gasp and launch into eternity with grandeur.
I was screaming into the canyon at the moment of my death; the echo I created outlasted my last breath.
Shashi saab had always wished that the traditions continue, even after he bids adieu to the mortal world. He didn't want any of us to mourn his death; his desire was to celebrate life in every form.
The future is just your hope, expectation. And when this life is not fulfilling you start looking further, beyond death. All these are fictions just for you to survive somehow. But this survival is not how you are supposed to be. Existence has not given you birth just to live in hopes. You can be really ecstatic this moment, and there is no other moment. Meditation is, Zen is living now and here.
Not all the subtilties of metaphysics can make me doubt a moment of the immortality of the soul, and of a beneficent Providence. I feel it, I believe it, I desire it, I hope it, and will defend it to my last breath.
The coarsening of our culture towards violent death has more consequences than war. Tragically, this same culture has led to the death of 50 million unborn children in the last 40 years. I don't think a civilization can long endure that does not have respect for all human life, born and not yet born. I believe there will come a time when we are all judged on whether or not we took a stand in defense of all life from the moment of conception until our last natural breath.
For a moment Ethan simply stares. Before him is the monster of his nightmares: his sister's murderer, the beast who robbed him of his greatest love. How easy, how fulfilling would it be to take Marduk's life? But the arrow in Ethan's fingers slips to the ground. "No. even revenge is too great an honor for you." As the night falls and brings an end to this long day of darkness, Marduk inhales his last staggered breath and his body turns to stone.
Well I mean I think everybody was devastated because my last day on set was my death scene and so it was just sad altogether because my character was taking her last breath and I was kind of taking my last breath of air on set with everybody so it's definitely very sad.
[There are, in us] possibilities that take our breath away, and show a world wider than either physics or philistine ethics can imagine. Here is a world in which all is well, in spite of certain forms of death, death of hope, death of strength, death of responsibility, of fear and wrong, death of everything that paganism, naturalism and legalism pin their trust on.
When I saw that scene [in ocean from the Aquarius] for the first time, it blew me away. It caused me to reflect on my age, my history and all that I've been through in Brazil. Having been away from Brazil for so long, while not speaking in my own tongue, when I saw that image, I felt like I was taking my first deep breath after nearly suffocating to death. It was like the plastic had been removed from my head. Even if this breath turned out to be my last, at least I got to have this one moment of release. At least I got this one chance.
My only request is that I draw my last dollar and my last breath at the exact same moment.
So now, how did God produce this world?... The fable is that he breathed upon us. In his breath, his wind, came moisture and things began to grow... a message of hope. Nothing physical. How do you intend for your breath to become a work of art? The only way I can see it is that you prevent your breath from becoming a structure. As soon as your breath takes on the form of a room, you are a carpenter; you're not God.
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