A Quote by Oliver Goldsmith
The best way to make your audience laugh is to start laughing yourself.
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The best way to make friends with an audience is to make them laugh. You don't get people to laugh unless they surrender - surrender their defenses, their hostilities. And once you make an audience laugh, they're with you. And they listen to you if you've got something to say. I have a theory that if you can make them laugh, they're your friends.
Have fun, entertain yourself with your work, make yourself laugh and cry with your own stories, make yourself shiver in suspense along with your characters. If you can do that, then you will most likely find a large audience; but even if a large audience is never found, you'll have a happy life.
One of the basic things we should avoid is to criticize others. Better to criticize yourself. Criticize yourself, criticize your brothers and sisters, criticize your country, criticize all the habits you have and laugh at yourself, is the best way. If you know how to laugh at yourself then you will not object or will not stand in the way of any creativity of another person.
[As a kid] I did enjoy making people laugh but I was also attracted to funny people. I'm [still] quite happy to not be the one trying to make other people laugh. I'm happy laughing at someone else. I enjoy laughing and I'll happily be the one just laughing all night if you can make me laugh.
One thing I hate in ethnic comedy is giving the audience the opportunity to laugh in a racist way at a thing. A lot of times dwarf comedians will do that, Arab comics, and gay comics will do it; everyone is laughing, but they're not laughing at the joke, they're laughing at this crazy character.
That was my dad's sense of, you know, laughing at himself, laughing at existence, the universe, all of it and not being too serious about what we do with because at the end of the day if you're here it's a blessing. It's you know life is hard. Life is hard for everybody at some point, but it's those who are able to laugh at it and laugh with it and roll with it that ultimately I think live the fulfilling lives that we're all trying to do. You know, and big step there is to not take yourself too seriously from the start.
I always think it's just best to just make stuff and to carry on making stuff, even if it's not off your own back, because that's the only way... especially as a comedy writer, I make short films and then show them to live audience, so if they're laughing you know you're doing something right.
The laugh track was invented to cue the audience to the jokes and encourage laughter in response. But it has another effect: if you hear people laughing and you're not, you start to question if maybe there's something wrong with you for not getting it.
Find someone who makes you laugh, allows you to be silly & be yourself, loves you when your at your best but loves you more when your not, kisses or touches you for no reason, looks at you in a way only you know what they're thinking and communicates with you in away your never afraid to share yourself.
Anything I shouldn't laugh at makes me laugh. I mean, I'm bad at that, when somebody is singing something terribly and I'm thinking to myself, 'If I laugh now, this is the absolute worst thing I could ever do,' and then I start laughing and I can't stop.
Thank you people that are laughing with your hand away from your mouth. That joke is clearly not for everyone, but I enjoy watching people that don't laugh make the people that do laugh feel shitty about themselves.
Your purpose is to make your audience see what you saw, hear what you heard, feel what you felt. Relevant detail, couched in concrete, colorful language, is the best way to recreate the incident as it happened and to picture it for the audience.
In point of fact, I'm not sure there are too many comedies with laugh tracks anymore. Most of what you hear is live studio audience laughing as a show is filmed. If this prompts you to wonder who those actual human beings are who are laughing at some of this stuff, that is a mystification I share.
There's a guy in the audience with a distinctive laugh. I hope that guy is miked. The only problem with having a distinctive laugh is I know exactly when that guy isn't laughing. "Oh, distinctive laugh doesn't think that joke was funny!"
I have a really crazy cackle laugh, and I think sometimes people don't realize that they're not laughing at my jokes, they're actually just laughing because of my laugh.
The first purpose of comedy is to make people laugh. Anything deeper is a bonus. Some comedians want to make people laugh and make them think about socially relevant issues, but comedy, by the very nature of the word, is to make people laugh. If people aren't laughing, it's not comedy. It's as simple as that.
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