A Quote by Oliver Harris

A good deal of editing a manuscript looks like mechanical work, as if anyone with time on their hands and a magnifying glass could do it. But at a certain point, you need a strong interpretive conviction and, as you say, an "intangible" relationship to what you are doing.
At a certain point, you must be able to slip loose. At a certain point, you found that you had been set free. You could be anyone, he thought. You could be anyone.
I'm writing, I'm directing, I'm editing, I'm mixing, I'm showrunning. There is a certain point where it's like, the work is the work.
Just because we say networks are important doesn't mean that networks explain everything. We're just adding additional information. Networks don't work like a match - they work like a magnifying glass.
To be an actor you need various things. You need to have a head for choosing the roles. You have to be, hopefully, easy to work with so people enjoy working with you. You have to deal with missing roles, with not being asked to work, with doing good work and then being castigated by the critics for it. You have to have a skin that can deal with all of that. I, fortunately, seem to have the makeup which allows me to deal with the business. I mean, not as everybody.
As a young filmmaker, I shot a lot of stuff because I wanted to make sure that I got everything, but now I've gotten much more precise with my shooting. Editing is a whole other layer because then, sometimes you realize characters don't even need to say this or that. It becomes an issue of exposition, and over-explaining something. In the script, I'd reinforce certain things about what I wanted people to know two or three times, but in the editing room, I'd be like, "I only need to say this once, maybe twice."
I want you to think back to when you were a kid. Remember the day you learned you could burn ants with a magnifying glass? Oh, what a great day that was! You got to be God. You decided who lived, who died. I must've burned ants for an hour, just laughing. Then I saw one on my arm. Let me tell you something, when you burn yourself with a magnifying glass, you're on your own. You can't even tell your mom, because she gives that face, Oh, he is that stupid.
Divide in yourself the mechanical from the conscious, see how little there is of the conscious, how seldom it works, and how strong is the mechanical - mechanical attitudes, mechanical intentions, mechanical thoughts, mechanical desires.
Pirlo is a cool customer who does things in his own time. On the pitch, he just looks so relaxed, no matter what is going on around him. He is one of those greats who looks like he could run a midfield with a glass of red wine in one hand.
It's all gravy when everything's great, but if there comes a point where there's a problem, as with any kind of relationship you need to fix it. There's always going to be something, and it could be the smallest detail you'd never have expected or it could be something substantial, but it's how you deal with things.
I don't know how to have a normal relationship because I try to act normal and love from a normal place and live a normal life, but there is sort of an abnormal magnifying glass, like telescope lens, on everything that happens.
I am the kind of a woman that likes to move on mentally from point to point, and I like for my man to be there way ahead of me. Then if he is strong and honest, it goes on from there. Good looks are not essential, just extra added attraction.
Yes, it looks bleak. But you are still alive now. You are alive with all the others, in this present moment. And because the truth is speaking in the work, it unlocks the heart. And there’s such a feeling and experience of adventure. It’s like a trumpet call to a great adventure. In all great adventures there comes a time when the little band of heroes feels totally outnumbered and bleak, like Frodo in Lord of the Rings or Pilgrim in Pilgrim’s Progress. You learn to say ‘It looks bleak. Big deal, it looks bleak.’
Editing is really like plumbing a good deal of the time. You put two things together, and a current runs through it.
Men are more visual creatures and rate women based on looks. We like to laugh and be shown a good time. I've never rated anyone on looks.
It is a wonderful thing in the process of writing when such paper characters are first sketched, and, when one is doing good work, from a certain point in time they come alive and start contradicting the author as well.
There's that horrible-beautiful moment, that bitter-sweet impasse where you know that somebody is bullshitting you but they're doing it with such panache and conviction...no, it's because they say exactly what you want to hear, at that point in time.
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