A Quote by Oliver Herford

To babble is to make a feminine noise somewhat resembling the sound of a brook, but with less meaning. — © Oliver Herford
To babble is to make a feminine noise somewhat resembling the sound of a brook, but with less meaning.
I've sucked way too much cement for this year. Bad juju rising off them city sidewalks. I need to babble with a brook or two, inhale starlight, make friends with some trees.
We live in a world which is full of misery and ignorance, and the plain duty of each and all of us is to try to make the little corner he can influence somewhat less miserable and somewhat less ignorant than it was before he entered.
But surely "Argh" is the sound of a sort of strangulated scream. "Aargh" is the sound of a stabbing, or a falling off a cliff. "Arr" is, I think, the noise you're looking for. It's the noise pirates make when they don't have anything better to do. "Arr, Jim Lad" = Pirate noise. "Aargh, Jim Lad" = sound of pirate falling off a cliff.
My goal always is to tell a universal story, meaning it's about a person who has an idea, a vision, a dream, an ambition to make the world somewhat less chaotic.
For twenty-five centuries, Western knowledge has tried to look upon the world. It has failed to understand that the world is not for the beholding. It is for hearing. It is not legible, but audible. Our science has always desired to monitor, measure, abstract, and castrate meaning, forgetting that life is full of noise and that death alone is silent: work noise, noise of man, and noise of beast. Noise bought, sold, or prohibited. Nothing essential happens in the absence of noise.
Rather than thinking of sound and sense in my essays as two opposing principles, two perpendicular trajectories, as they are often considered in conversations around translation, or even as two disassociated phenomena that can be brought together to collaborate with more or less success, I think of sound as sense. Sound has its own meaning, and it's one of the many non-semantic dimensions of meaning in language. I want to emphasize is the formal dynamic between language-as-information and language-as-art-material.
Noise is the typographical error and the poorly designed page...Ambiguity is noise. Redundancy is noise. Misuse of words is noise. Vagueness is noise. Jargon is noise.
If by noise you mean uncomfortable sound, then pop music is noise to me.
The most mysterious feminine factor, the existence that we men, we don't know. It's woman. It's feminine. That's what the sword is about. That's the symbolic meaning of the sword.
A noise like of a hidden brook In the leafy month of June, That to the sleeping woods all night Singeth a quiet tune.
You see it in schools all over... the concept that 'I'll be somewhat less than my best in order to make those around me feel more comfortable' is alive and well... I'm very keen that they understand that if they make themselves a little less than they can be, it is a one-way street to mediocrity.
My mum had a cousin that had played when he was younger. When I showed an interest in drumming, he showed me how to mummy-daddy roll and that set me up for a bit. And to be honest, it's all about the sound, the noise, the rattle and hum. Who wouldn't want to make a fantastic noise with drums and cymbals?!
And I was saying that my last name will never, you know, Chmerkovskiy will never sound less foreign, but it doesn't make me less American, less proud or less grateful.
When you're a big money earner and your husband isn't, it makes you question how feminine you are. I felt I was less feminine than if I was a supporting wife, or a second fiddle, or 'Mrs. Higgins.
When you're a big money earner and your husband isn't, it makes you question how feminine you are. I felt I was less feminine than if I was a supporting wife, or a second fiddle, or 'Mrs. Higgins.'
Radio 3 shows such as 'Between the Ears' also make the kind of podcasts that draw the most from your noise-cancelling headphones. The programme commissions ideas that make adventurous use of sound.
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