A Quote by Oliver Herring
Part of the value of TASK is not to invest into anything permanent; to really celebrate the moment-the fluidity of creative action.
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A creative moment is part of a longer creative process which, in turn, is part of a creative life.
Teachers and students (leadership and people), co-intent on reality, are both Subjects, not only in the task of unveiling that reality, and thereby coming to know it critically, but in the task of re-creating that knowledge. As they attain this knowledge of reality through common reflection and action, they discover themselves as its permanent re-creators.
You seem to be absolutely unaware of the phenomenon of marriage - which is destructive to both man and woman. Love is creative, marriage is destructive. But love is not dependable: this moment it may be there and the next moment gone. And man wants permanent things; he is obsessed with permanent things. He wants security, safety, he wants to cling. Hence love is not reliable, so he created marriage.
My goal has always been not to look forward to the next thing, but to relish and celebrate the successes I have at the moment. Whether it's landing a part in a student film or having a good day in acting class, I never discredit anything.
It's amazing to play a character that gets to do everything - to have the action moment, have the really emotional moment, have the really fun, sweet, falling in love moment.
We are enjoying in Africa what I call the democracy dividend. The progress we are seeing, economic development are all part of the dividend of good governance, respect for human rights, rule of law. It has created an enabling environment that allows not only foreigners to come in and invest but for Ghanaians to invest. It has created an atmosphere for our young people to be creative, innovative
'The Paris Review's mandate has been the same for fifty years. First and foremost, this magazine is for writers; the editors' task is to support and celebrate them, especially at the beginning of their careers, but also as they move forward, venturing stories that are creative, risky, new.
I have often been asked what I think about at the moment of take-off. Of course, no pilot sits and feels his pulse as he flies. He has to be part of the machine. If he thinks of anything but the task in hand, then trouble is probably just around the corner.
Obviously, if you win a trophy, like I won when I was a player, it's a moment to celebrate. For me - this is my mentality, and I don't want to say it's right or wrong - I love to celebrate in private and not make it public. I love to celebrate the things with your team-mates.
It's not enough for just us to invest in Utah; more and more, we are encouraging businesses around the world to follow suit. We want them to invest in and become part of Utah's future and to allow Utah to invest and become part of theirs.
Don't get stampeded by what people around you value. The task is to figure out what YOU value - and value highly enough to throw yourself into with unqualified passion.
Settlements may be temporary, but the action of the nations in the interest of peace and justice must be permanent. We can set up permanent processes. We may not be able to set up permanent decisions.
I'm really thriving and enjoying being a part of a really vibrant creative team and doing creative work.
The impresario functions as a bridge and a translator. He or she is a bridge between the creative point of view - which is often very focused on the creative task itself - and the resource-allocation process. The impresario has to make certain the funds and people required to get that task completed are available.
I always felt like if you get to a point where you've got enough money to invest in something real, you gotta invest in anything that's related to a natural resource because that's gonna be here forever - so you might as well invest in something that's gonna be here, rather than invest in something that's gonna wear out.
You kind of have to celebrate the moment that you get to create something that you love that falls into the parameters of a 3-minute-and-20-second song, to try to be creative inside of those parameters.
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