A Quote by Oliver Jackson-Cohen
When I read the script, I said to one of the producers, "I know you probably want Jonathan Harker really fluffy, but I'm not gonna do that. It needs to be a mask. There needs to be a duel between Harker and Dracula."
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As the show [Dracula] goes on,Jonathan Harker gets darker and darker, and further into that side of it all. All of the worlds end up colliding and meshing together.
If I read the right script, if that script needs $5 million, if that script needs $50 million, I don't care. If I read a project that's beautiful, that I really want to make, whatever it needs, it needs.
[David Harker asked: Dr Pauling, how do you have so many good ideas?]
Well David, I have a lot of ideas and throw away the bad ones.
Each of us needs something - food, liquor, pot, whatever - to help us survive. Dracula needs blood.
America needs ObamaCare like Nancy Pelosi needs a Halloween mask.
I have emotional needs that I didn't know I had, and I have physical needs that I didn't know weren't really needs.
A poem needs disguises. It needs secrets. It thrives on the tension between what is said and not said; it prefers the oblique, the implied, the ironic, the suggestive; when it speaks, it wants you to lean forward a little to overhear; it wants you to understand things only years later.
Britain needs a real push. It needs nationalism. The sort of spirit that comes during a war. It needs people really to want to see the UK sitting again, maybe not as a colonial power, but as an economic power.
We mask our needs as the needs of others.
Why do we embroider everything we say with special emphasis when all we really need to do is simply say what needs to he said? Of course the fact is that there is very little that needs to be said.
The idea of Jonathan Rhys Meyers as Dracula, all I could think of was, why haven't they done this with him before? It's such a genius idea. 'Dracula' has always been done as film, so it's been an hour and 40 minutes. What we're done is 10 hours of 'Dracula,' so you have a lot of freedom with all the different mythologies and nuances.
I don't believe that the U.S. needs to take a police role. I think it needs to support African nations that have said they want to become a part of the solution.
A friend once told me that the real message Bram Stoker sought to convey in 'Dracula' is that a human being needs to live hundreds and hundreds of years to get all his reading done; that Count Dracula, basically nothing more than a misunderstood bookworm, was draining blood from the necks of 10,000 hapless virgins not because he was the apotheosis of pure evil but because it was the only way he could live long enough to polish off his extensive reading list. But I have no way of knowing if this is true, as I have not yet found time to read 'Dracula.
Environmentalism needs to be absolutely based in objective and verifiable science, it needs to be rational, and it needs to be flexible. And it needs to be apolitical. To mix environmental concerns with the frantic fantasies that people have about one political party or another is to miss the cold truth - that there is very little difference between the parties, except a difference in pandering rhetoric.
If you're gonna tell a story from beginning to end, I always think you have to have a great structure in a script. If it gets you excited and it's something you've never read before that's another plus. I think also with improv and that whole world of stand-up, that's a whole other organism of comedy that still needs a story, but it's more free-form. On the set, it is the combination of both those worlds coming together: a great script and an allowance to play with it.
A simple man will have only what he needs, and he will know the difference between what he needs and what he wants. We feel that whatever we want, we desperately need. But before we possess the world, to our wide surprise we see that the world has already possessed us.
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