A Quote by Oliver Jackson-Cohen

I went to a French school, so we didn't study Bram Stoker there. I just thought it was a genius thing. — © Oliver Jackson-Cohen
I went to a French school, so we didn't study Bram Stoker there. I just thought it was a genius thing.
I thought I was going to be a horror story writer. My influences were horror writers, like Rich Matheson, Ray Bradbury and Bram Stoker.
I love all that kind of gothic Bram Stoker kind of thing. I love to get lost in that kind of escapism.
Bram Stoker's 'Dracula,' in my reading, is really obviously about disease and our relation to disease.
Bram Stoker's 'Dracula' was a story about the fear of immigration; the bad old bloodsucker swooping in from Eastern Europe and also preying upon 'our' vulnerable women.
He brought his great hand to rest on an early edition of Bram Stoker's novel and smiled, but said nothing. Then he moved quietly away into another section.
Look, Mr. uh, Wulf I appreciate your trying to warn me about this, Ireally do. But there's no such thing as vampires. They're made-up. We writers made them up. I'm sorry we did such a good job that we made the whole world paranoid, but it's true. They're fictional. Blame Bram Stoker. He started it.
We are all of us invented. We are all of us cobbled together from cartilage and dust. Few of us know with certainty the name of our maker. But I do... Bram Stoker.
A man must choose his own way of life, and…it is only by following out one’s own bent that there can be the really harmonious life.” [In an interview conducted by Bram Stoker]
I have always credited the writer of the original material above the title: Mario Puzo's The Godfather, Bram Stoker's Dracula, or John Grisham's The Rainmaker. I felt that I didn't have the right to Francis Coppola's anything unless I had written the story and the screenplay.
I went to a French immersion school, and French-Canadian improv is a big thing, and we had an improv team at school, and 12 of us would get up and make things up against other elementary schools. I'd always wanted to perform, and that was just another extension of it.
Kim Newman brings Dracula back home in the granddaddy of all vampire adventures. Anno Dracula couldn't be more fun if Bram Stoker had scripted it for Hammer. It's a beautifully constructed Gothic epic that knocks almost every other vampire novel out for the count.
Mention the gothic, and many readers will probably picture gloomy castles and an assortment of sinister Victoriana. However, the truth is that the gothic genre has continued to flourish and evolve since the days of Bram Stoker, producing some of its most interesting and accomplished examples in the 20th century - in literature, film and beyond.
You go to school, you study about the Germans and the French, but not about your own race. I hope the time will come when you study black history too.
I've always been a Dracula/vampire aficionado, being half-Romanian myself. Dracula has always been close to my heart - in fact, I have a first edition of Bram Stoker's book. I read it over and over again as a young kid.
Men give me credit for some genius. All the genius I have lies in this; when I have a subject in hand, I study it profoundly. Day and night it is before me. My mind becomes pervaded with it. Then the effort that I have made is what people are pleased to call the fruit of genius. It is the fruit of labor and thought.
My favorite vampire movie used to be Bram Stoker's 'Dracula,' but now '30 Days of Night' took its place. I think it's brilliant that somebody would be so thoughtful as to put these vampires in a place like Barrow, Alaska, where there are actually '30 Days of Night.'
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