A Quote by Oliver Jackson-Cohen

I love Dior and Commes des Garcons, but I can't really afford them. — © Oliver Jackson-Cohen
I love Dior and Commes des Garcons, but I can't really afford them.
It's interesting for me to sell Comme des Garcons in places it's never been sold before to people who might not have heard of Comme des Garcons.
I love Comme des Garcons. I think everything she touches is almost like gold. And she does it so quietly. No branding.
What I really liked about Stüssy was that it wasn't the usual surf-culture gear or style. I think it was really inspired by labels like Chanel and Comme des Garçons - like black shirts with a certain kind of buttons. I was very into it.
Comme des Garcons is a gift to oneself, not something to appeal or to attract the opposite sex
I'm merely a fan of fashion from high end to streetwear, from Nike to Comme des Garcons.
I don't want a politician who's thinking about fashion for even one millisecond. It's the same as medical professionals. The idea of a person in a Comme des Garcons humpback dress giving me a colonoscopy is just not groovy.
My sister, mom and I all wear the same size, so I shop a lot at a boutique called 'my mother's closet' that is right down the hall from my bedroom. She has vintage Comme des Garcons dresses that I feel so elegant wearing.
The Dover Street Markets bring brands of all disciplines together to sell their products in an open atmosphere that, most importantly, incites creativity. They are, along with the 'Comme des Garcons' stores, usually located in areas off the beaten track.
The worlds of art and fashion have always been very intertwined at Dior. Francois-Xavier Lalanne and his wife, Claude, for instance, did windows for Monsieur Dior. Dior himself was a gallerist before becoming the revolutionary fashion designer we all know.
The opposite of what is noised about concerning men and things is often the truth. [Fr., Le contraire des bruits qui courent des affaires ou des personnes est souvent la verite.]
In Comme des Garçons, I hardly do any sketches; there's no fittings on bodies, there's no models that come in and say, "Oh, a little bit like this." In the beginning, there isn't even a theme. It's like getting the whole world at your feet - to empty your mind of everything that's ever happened before, to get an empty space.
Fashion is made up of paradoxes. There was a key moment in fashion. When the Japanese first arrived - Comme des Garçons, Yohji Yamamoto, and all - I have to humbly admit that I didn't understand the importance of it at all. It was Jean-Jacques Picart who explained it to me. They had a huge influence in that they showed that aestheticism could be different from prettiness, that there was beauty and that beauty was beyond pretty.
I love Dior. I've been wearing some of the really beautiful structured pieces - I love a deep neck and how it accentuates a woman in that area. And, of course, Louis Vuitton. I've honestly never met someone like Nicolas. He has a really fresh perspective on life in general.
Love is the history of a woman's life; it is an episode in man's. [Fr., L'amour est l'histoire de la vie des femmes; c'est un episode dans celle des hommes.]
Hardly anyone ever leaves. This is because Des Moines is the most powerful hypnotic known to man. Outside town there is a big sign that says, WELCOME TO DES MOINES. THIS IS WHAT DEATH IS LIKE. There isn't really. I just made that up. But the place does get a grip on you.
Et une fois de plus je m'avan c° ais le long de ces me" mes couloirs, marchant depuis des jours, depuis des mois, depuis des anne es, a' votre rencontre. And one more time, I advanced along these same hallways, walking for days, for months, for years, to meet you.
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