A Quote by Oliver Luck

I'm the athletic director around here. The AD. That really stands for 'Andrew's Dad.' That's how everybody knows me nowadays. — © Oliver Luck
I'm the athletic director around here. The AD. That really stands for 'Andrew's Dad.' That's how everybody knows me nowadays.
You can lose a coach every once in a while. You really need to keep an athletic director because you need a guy that's there consistently for as long a time period as possible because he's managing everybody. He affects everybody and when he leaves, he affects everybody.
When his football and baseball careers ended, my dad became an accomplished marbles player. Then dad got really good at pitching horseshoes. And to show you how athletic our bloodlines really were, my mom was a wonderful tennis player.
This is how it essentially is for Bunny Junior. He loves his dad. He thinks there is no dad better, cleverer, or more capable, and he stands there beside him with a sense of pride - he's my dad - and he also, of course, stands beside him because he has nowhere else to go.
But actually my dad is a very talented director and not just his use of shots and camera, but he's very good with actors and he knows acting well. It's great to see him do that and be really good at it and he's been doing it for a while and he certainly knows how to make movies, and little movies I guess for a television show, and he's going to come back in November to direct a second episode, which I'm really excited about.
Everybody knows that the boat is leaking. Everybody knows the captain lied. Everybody got this broken feeling, like their father or their dog just died. Everybody talking to their pockets. Everybody wants a box of chocolates and a long-stem rose. Everybody knows.
Everybody knows how to get prepared for an MMA fight. Everybody knows what the other person is going to do. Whereas when I did it, MMA was really style against style. Things you hadn't seen before, you'd see for the first time. People didn't know how to train properly for it, and the coaching wasn't there yet, either.
Mel is a great director because he's not just a director, he's an actor, so he knows how to direct actors. I loved working with him. He's great as a director. He's so intelligent. He's generous. I really loved him.
He's been the greatest father for me. Going around the streets of Chicago with my dad, people always tell me they can't believe how much my dad has matured. Or, 'You wouldn't believe how your dad used to be.' There's always lots of words about how much he's changed.
If you are a troublemaker, it’s our job to politically destroy you. Put it this way. As long as JB Jeyaretnam stands for what he stands for – a thoroughly destructive force – we will knock him. Everybody knows that in my bag I have a hatchet, and a very sharp one. You take me on, I take my hatchet, we meet in the cul-de-sac.
It's amazing how much of this is mental. Everybody's in good shape. Everybody knows how to ski. Everybody has good equipment. When it really boils down to it, it's who wants it the most, and who's the most confident on his skis.
A director on a film really sets the tone of how people go about things, so everybody is happy to be at work and everybody does their best.
Everybody knows that the dice are loaded, Everybody rolls with their fingers crossed, Everybody knows that the war is over, Everybody knows the good guys lost.
You have great athletic directors, you let them run it; you keep yourself informed, but I'm not the athletic director. I'm the president of the university.
I'm not an ad-libber. If I'm asked to ad-lib, I can ad-lib forever and it's really fun to do that, but I find that well-written scripts are put together very carefully. Once you start to ad-lib and add words to sentences, there's a slacking that happens. When it's good writing, it's taut. I'm not judging people who do ad-lib.
I kind of joke with myself that you shouldn't be able to be a creative producer if you weren't a first AD. Because it is such fantastic training for really understanding what everyone does, and how the movie actually gets made. You have to know if you're the first you're kind of the set general, you're at the director's right hand, you know everything about how a director puts a movie together, you know everything about how a movie gets made.
I wasn't the athletic kid in my family. Both of my brothers were on athletic scholarships and my dad played semi-pro hockey. My younger brother played pro hockey. I was the music kid. But I always loved sports. I grew up around it.
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