The directors that I end up having a really good time with are the ones that understand the fluidity of the medium and are interested in catching lightning in a bottle.
A good film to me is like lightning in a bottle. I used to think that meant hit and run. But then I've changed my definition about what lightning in a bottle means. I think it means that you wait for that surprising moment that you really didn't expect would happen, as good as it may have gone in rehearsal.
Comedy is like catching lightning in a bottle.
My favorite parts of work as an actor and a director are those unplanned mistakes that do happen, because it's like catching lightning in a bottle. It's the best part of what we do.
I have had a hard time settling on one medium and feel like a dilettante at times, taking up one medium and then wanting to learn to work in another. At age 76, I really don't have the time to settle down to one medium when there are so many avenues to explore.
When we can't bottle our tears up anymore, God catches every one in His bottle. God's catching every falling tear because He won't let us fall apart.
I think for the longest time I used to be kind of embarrassed that if I hung out with someone that had a really, really strong personality, I would end up accidentally catching myself talking like them.
I love filmmaking when fate is a part of the process and you are dependent on the laws of physics and the elements to get a single moment that transports or in some way creates an illusion even for a moment. I think that is tremendous fun and what I think filmmaking is, catching lightning in a bottle.
Movies are certainly a director's medium, so getting the opportunity to work with really good directors is everything to me.
Obviously, television is a writer's medium, so you get a lot more power and authority. With a film, the discipline is having a beginning, middle and end, and having it work in a specific space of time.
That really sets great directors apart from good directors: their ability to make you feel like you matter, even if your part is much smaller. That's one thing I found with most of the great directors I worked with: They all have that skill. Not everyone takes the time.
I was never very good at exams, having a poor memory and finding the examination process rather artificial, and there never seemed to be enough time to follow up things that really interested me.
Gender fluidity is not really feeling like you're at one end of the spectrum or the other. For the most part, I definitely don't identify as any gender. I'm not a guy; I don't really feel like a woman, but obviously I was born one. So, I'm somewhere in the middle, which - in my perfect imagination - is like having the best of both sexes.
One of the greatest joys of tennis is having a nice volley and not really keeping score, not really looking at the lines, but just catching up with each other.
The rigidity of a bottle's form does not affect the fluidity of the liquid it contains.
There's only one proper way a song should go, but you've got to be patient enough to let them come together time wise. Sometimes it's lightning in a bottle and you got the song. But oftentimes it shows up.
Nothing connects with people like humanity. That doesn't mean you have to tell slice-of-life stories all the time. But you know, with so many options in technology, the consumer's not really that interested in advertising... They are interested in great stories. That transcends any medium.