A Quote by Oliver Sacks

Dangerously well’— what an irony is this: it expresses precisely the doubleness, the paradox, of feeling ‘too well — © Oliver Sacks
Dangerously well’— what an irony is this: it expresses precisely the doubleness, the paradox, of feeling ‘too well
A thought that's imbued with the power of emotion produces the feeling that brings it to life. When this happens, we've created an affirmation as well as a prayer. Both are based in feeling-and more precisely, in feeling as if the outcome has already happened.
To live life well is to express life poorly; if one expresses life too well, one is living it no longer.
Once I asked Teichman what he thought of Bird's chess: "Same as his health," he replied, "always alternating between being dangerously ill and dangerously well."
Irony is the form of paradox. Paradox is what is good and great at the same time.
You know, all mystics - Catholic, Christian, non-Christian, no matter what their theology, no matter what their religion - are unanimous on one thing: that all is well, all is well. Though everything is a mess, all is well. Strange paradox, to be sure. But, tragically, most people never get to see that all is well because they are asleep. They are having a nightmare.
I love Stephen Colbert and Jon Stewart because they're bringing irony back into American humor, which is a delicious treat. The entire Colbert persona of being extreme right-wing when he's not at all is highly amusing. He does it so well, but sometimes a little too well. My wife is convinced he's completely that way.
I really, truly believe that writing comes out of the body; of course, the mind is working as well, but it's a double thing and that doubleness is united. I mean, you can't separate persona from psyche; you just can't do it.
For 'wellness', naturally, is no cause for complaint - people relish it, they enjoy it, they are at the furthest pole from complaint. People complain of feeling ill - not well ... Thus, though a patient will scarcely complain of being 'very well', they may become suspicious if they feel 'too well'.
Mom’s not feeling well. So I’m making her a get well card.” “That’s thoughtful of you.” "See, on the front it says, ‘Get Well Soon’ … and on the inside it says,’Because my bed isn’t made, my clothes need to be put away and I’m hungry. Love Calvin.’ Want to sign it?” “Sure, I’m hungry too
Artists may here have a more subtle scent: they know only too well that it is precisely when they cease to act 'voluntarily' and do everything of necessity that their feeling of freedom, subtlety, fullness of power, creative placing, disposing, shaping reaches its height - in short, that necessity and 'freedom of will' are then one in them.
...it has been well said that it is precisely these moments when we are feeling that ours is the world and everything that's in it that Fate selects for sneaking up on us with the rock in the stocking.
There is nothing absolute and final. If everything were ironclad, all the rules absolute and everything structured so no paradox or irony existed, you couldn't move. One could say that man sneaks through the crack where paradox exists.
I'm used to a feeling of doubleness, of thinking one thing and having to do another, a constant tug-of-war.
In discovering books, you became free to explore the full range of human motives, desires, secrets, and lies. All my life, people have scolded me for having an excess of feeling, saying that I was too sensitive - as if one could be in danger from feeling too much instead of too little. But my outsize emotions were well represented in books. [] there simmered all the feelings no one ever admits to.
There is no paradox. There is only irony.
A mouth of no distinction but well practiced, before I entered my teens, in irony. For what is irony but the repository of hurt? And what is hurt but the repository of hope?
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