A Quote by Oliver Sim

I've got quite a varied iTunes, and I like to raid people's CD collections and take on their music. — © Oliver Sim
I've got quite a varied iTunes, and I like to raid people's CD collections and take on their music.
Someone has to really like you to go out there and physically get your CD. Shout out to everybody who actually paid for the CD. A lot of people don't realize that's how we live, that's our job. When we people take music from us, that's just like taking food off of our table and it's not cool. It's a lot of blood, sweat and tears that goes into the music and those lyrics. To have people just go and steal it, it doesn't feel well.
I listen to everything from, you know, Buddha Bar groove music to international music, Italian music, like Eros. I like very sexy, funky music like Maxwell, Angie Stone, R&B...In my CD player, I've probably got Maxwell, Beyonce, Enrique Iglesias, and kid music...maybe some AC/DC. I mean a little bit of everything. It depends on what I'm doing.
As music migrates into our iPods, CD collections require less and less room, residing in our heads rather than resounding off the walls. The protracted labor of amassing a personal music library has lost its detective zeal.
Would you go into a CD store and steal a CD? It's the same thing, people going into the computers and loggin' on and stealing our music.
The addition of Beats will make our music lineup even better, from free streaming with iTunes Radio to a world-class subscription service in Beats, and of course buying music from the iTunes Store as customers have loved to do for years.
I am a big fan of A.R. Rahman and Mani Sharma, and I went to a shop to buy these music directors' CD. But I had only Rs 100, and Rahman's CD cost more, so I couldn't buy both. So I bought Rahman's CD and stole Mani Sharma's CD.
I still do mostly listen to CDs. I think that every format really is a different way of listening. If you take a different sort of psychological stance to it - like, I think the transition from vinyl to CD definitely marked a difference in the way people treated music. The vinyl commands a certain kind of reverence because it's a big object and quite fragile so you handle it rather carefully, and it's expensive so you pay attention to how it's looked after.
The CD, it should be noted, was born out of greed. It was devised to prop up record sales on the expectation of people replenishing their record collections with CDs of albums they had already purchased.
I've been asked that question lots of time before, why wasn't I on Live Aid? And quite frankly I don't know. I was riding high in the charts and the styles of music they had were quite varied from Adam Ant to Status Quo to Queen. I would have definitely fitted in.
Folk music - and what people are now perceiving as being folk music - is music that's quite close to the ground. The songs sound quite old, even if they're new. They sound like they've been sung by different people for years.
I did think reviewers were supposed to be polite about story collections - collections are rather delicate creatures in the literary environment - but not everybody got this memo, I guess.
I'm not going to lie. I check the iTunes charts. It's all about the iTunes charts. I only go on the Internet for the iTunes charts and basketball blogs.
Recorded music is basically free now. I used to tour to promote a CD, but now I make a CD to promote a tour. I've moved on and live with the new reality, but I do get frustrated when people do dumb things.
Music TV in the U.K. is disappearing. 'Top Of The Pops,' 'CD:UK' and shows like that have gone, and it's bringing down the music industry. We should do as much as we can to keep our music TV and producers need to be more willing to accommodate live music.
I do covers for CDs and LPs of music that I like, reissues of old-time music, and then I'm inspired to make some kind of drawing based on this love of the music. I don't do album covers or CD covers for groups or musicians I don't like or have no interest in.
In the game, you've got some people who've got money, but their music is kind of off, their music is garbage. Then, you have people with good music, but they ain't got the biggest part: They ain't got the funds. But me, I'm just all the way around the board.
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