A Quote by Oliver Sim

In our school, there were lots of bands putting up posters saying 'Come to our gigs'. — © Oliver Sim
In our school, there were lots of bands putting up posters saying 'Come to our gigs'.
People from major labels were afraid to go to Black Flag gigs throughout most of the bands existence. They treated our gigs as something threatening. Im sure that it probably was. They probably had reasons to be scared.
It took us two years to get our first real gig. That was a big dream. We ended up booking a lot of our own gigs and putting on a lot of our own shows. We were trying to get our actual music across, trying to make a connection there.
If you put up posters around town for high-school kids, high-school kids will come. If you're casting politicians, you can't put up posters and have politicians come down.
I existed before Star Trek. I started in live television. I was there when the cameras were as big as a table, had internal fans that were whirring and tubes that, because of the heat, had to come right up to our face for a close-up. Now, we are talking about green screen and putting us in locations that we'll never visit. What has happened to us is a miracle, and the miracle is our inventiveness. The tragedy of our lives is also our inventiveness.
I remember the moment in which we were taken hostage in Libya, and we were asked to lie face down on the ground, and they started putting our arms behind our backs and started tying us up. And we were each begging for our lives because they were deciding whether to execute us, and they had guns to our heads.
One of the things I loved about Black Sabbath was, when we were on the road, there were times we had been on the road for so long and we were tired and we were exhausted. We would show up at gigs and we were so tired that we would be fast asleep in the dressing room. Our road manager would come in and say, '20 minutes, guys.'
Growing up, the major institutions were school and church. We were taught our culture was no good. We didn't have sundances. The last ones were in the 1940s and '50s. They're starting to come back now. Each reserve is starting to have a Big Lodge and a sundance ceremony. That's what's going to rebuild our people.
I was a young feminist in the '70s. Feminism saved my life. It gave me a life. But I saw how so much of what people were saying was not matching up with what they were doing. For example, we were talking about sister solidarity, and women were putting each other down. We were talking about standing up for our rights, and women weren't leaving abusive relationships with men. There were just so many disconnects.
I don't understand how those old bands did it. We worked out early on that if we did three gigs in a row and went out afterwards, we'd lose our voices. We know our limits.
I remember when our first album came out. After one of our gigs, we went across the border to Mexico and the band in the bar where we were was doing covers of our songs. I don't think they understood a word they were singing but they did the songs perfectly.
People from major labels were afraid to go to Black Flag gigs throughout most of the band's existence. They treated our gigs as something threatening. I'm sure that it probably was. They probably had reasons to be scared.
I totally understand the promotional aspect of our show and the business end of it. We're putting something out there that we're really proud of. It's not like we're saying, "Hey, come watch our show," because it sucks.
If low taxes were the way that people like me created wealth, then we'd be starting our companies in the Congo or Somalia or Afghanistan, but we're not. We come to places where there are lots and lots of customers.
Growing up, we were in a strict household, so we weren't allowed to have posters of our crushes and stuff on the wall - mine was Cristina Applegate.
Bin Laden was very keen to point out to me that his forces had fought the Americans in Somalia. He also wanted to talk about how many mullahs in Pakistan were putting up posters saying, "We follow bin Laden." He even produced a sort of Kodak set of snapshots of graffiti supporting him.
If one wanted to stigmaitise, that's how one would do it - lots and lots of people saying "we're severing our ties".
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