A Quote by Oliver Sim
You see bands putting ads in the paper: 'drummer wanted'. I could never be in a set-up like that.
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I always wanted to be a model, never an actress. I would see children in ads and stuff and wanted to be like them.
I had that laser focus, identified what I wanted when I was a kid, and never let anything get in my way. If you look on paper at who I am and what I sound like, and what I look like, you wouldn't say, 'Go into broadcasting.' It's just what I wanted to do - I knew that I could do it, and I never let anyone tell me that I couldn't.
If it were a choice between putting ads on Wikipedia or shutting down Wikipedia, we would then very reluctantly consider putting ads on Wikipedia.
And I could see this boy doing his homework and thinking about my sister naked. And I could see them holding hands at football games that they do not watch. And I could see this boy throwing up in the bushes at a party house. And I could see my sister putting up with it. And I felt very bad for both of them.
I wanted to go and I wanted to drive the miles for no pay, I wanted to set up the rings, I wanted to set up the chairs, I wanted to go to training six-seven days a week for hours upon hours and blow myself up to where I can only work on instinct. I wanted to sleep in my car. I wanted to do all of that.
Because it's kind of great, being an idea that everybody likes. But I could never be the idea to myself, not all the way. And Agloe is a place where a paper creation became real. A dot on the map became a real place, more real than the people who created the dot could never have imagined. I thought maybe the paper cutout of a girl could start becoming real here also. And it seemed like a way to tell that paper girl who cared about popularity and clothes and everything else: 'You are going to the paper towns. And you are never coming back.
When I was younger and bands were formed that way, out of friendships rather than anything else. It wasn't like we put up want ads.
When you're reading a newspaper and you're seeing ads on the page, it's not kind of invasive. Like, it's on the page next to the article. You can look at it or not. You can turn the page when you're ready. On the internet, the ads - many of the ads - just are so controlling. They insist that you see them.
An electronic paper has infinite space because you can bring forth as much content as a reader wants. And the resolution of ads is very high. And when you touch the ad you can interact with the advertiser and the paper will take you to the advertiser's Web site and you can get more information. So ideally there should be a better connection between the ads you're shown and what you're actually interested in.
There's one part of the forest in Wales, it's like a natural bowl, and when we drove into it last time, it was getting dark. And as you came over the hill you could see fireworks being set off, the whole place was lit up and you could see this huge crowd all jumping up and down and cheering.
I never wanted to be the face of the brand. You haven't seen me in my own ads. You don't see my logo all over my clothes. From the beginning, I wanted the clothes to stand on their own.
I think we're all actors. There's this friend of mine who's a great drummer, and he said, "I never thought I'd be a drummer, but I got really good at it. I always feel like I'm an actor playing the drums." His real calling was that he was going to be a magician. That's what he felt like he wanted to do. If you decide to act like a journalist, you'll probably be a better journalist than just being a journalist. What you're doing is, you're taking the executive role and stepping outside yourself so that you're able to make more objective decisions.
I never wanted to be that fad type of artist. When I looked up to artists, watching TV, I wanted to see somebody. I wanted to touch that person. I wanted to sound like them. I wanted to move like them. That' s what I want my fans to do. So that's why, everything that I do, the music I make, how I dress, it's all based off my lifestyle.
I told people I was a drummer before I even had a set, I was a mental drummer.
I'm working on the Star Wars script today and the people in my office have covered up all my windows with black paper. I guess they wanted to make sure no one could see what I was doing. It seems rather extreme.
I had a drummer I really wanted to move to Nashville with me, and he's like, 'Naw, I can't go, man.' He never could pull the trigger. It's a big move. You just gotta be diehard - you gotta give it your all, you know.
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