A Quote by Oliver Sim

I can't even imagine how it must be to be a solo artist playing with session musicians. — © Oliver Sim
I can't even imagine how it must be to be a solo artist playing with session musicians.
I'm a great believer that actors are very similar to session musicians. You wouldn't ask a session musician, 'How do you play jazz,' and then, 'How do you play classical?' They just do it, because if they don't do it, they don't eat.
I discovered that it was a lonely world being a solo artist. Then I started working with another solo artist, Rod Stewart, and he used to tell me how lonely he was!
It's the group sound that's important, even when you're playing a solo. You not only have to know your own instrument, you must know the others and how to back them up at all times. That's jazz.
Like Russell, I enjoy the fact that when I'm playing solo, if I want to do something completely spontaneous, I don't have to worry about how I'm going to cue the other musicians, or if it's something that's rehearsed.
I can be a little messy and wild and carefree with my creativity as a solo artist. In a group, there's a certain structure, and everyone has a part to play, and being a solo artist, I can do as I please.
I never imagined I'd be a solo artist. And now I couldn't imagine being part of a group.
Musicians can look forward to playing with the best musicians that ever played. They can even have their own band!
The biggest challenge was the whole learning curve of being solo artist. I've been in bands for so long that being a solo artist was completely new thing.
I think the solo playing, the decision to start playing solo, came out of having discovered what lay behind the doors that that technique opened for me.
In fact, many musicians are the happiest when the artist and audience re-interpret or re-imagine the content of the songs.
The fact is, for the first 10 years I toured as a solo artist, I wasn't playing any of the songs I didn't write or sing.
If you ever go to a music session, you'll notice that the musicians can sit down and start playing right away, and everyone knows what to do. Of course they're reading it, but the conductor can tweak little things, and you can take that back to directing motion pictures.
Everything that Eddie has said about me is the total opposite of what really happened. Eddie says I wanted to be a solo artist. No, Eddie wanted to be a solo artist.
There were so many groups that I had in college, but I was always the solo singer. But what made it so unusual back in the day was that I was a black girl playing with all these white musicians, and I was also singing rock music on top of it.
I hate the solo artist aspect of rock-'n'-roll. I don't have enough personality or charisma to be a solo star.
Every session attended by the analyst must have no history and no future. What is 'known' about the patient is of no further consequence: it is either false or irrelevant. If it is 'known' by patient and analyst, it is obsolete....The only point of importance in any session is the unknown. Nothing must be allowed to distract from intuiting that. In any session, evolution takes place. Out of the darkness and formlessness something evolves.
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