A Quote by Oliver Stark

I often play the quote-unquote bad guy, and I don't know why that is but it's just something that I've always hopefully been able to tap into. Maybe I'm harboring some deep, dark secrets that even I don't know about.
There is always something about the villains that I'm able to play, quote unquote, that isn't villainous.
My grandfather always sang about the light, and for some reason, I don't know why, it even goes back to when I was seven, eight years old, I've always been attracted to the dark.
The guy who runs Big Day Out doesn't like us for some reason; I don't even know why. We do all the other festivals, and we enquired about it. Who knows, maybe he'll eventually crack, but maybe not. We're just going to keep knocking on his door late at night saying, 'Come on, dude!'
You want to be able to say [to Ethan Hawke's character], "Dude, it's okay," but maybe it's not. Maybe he's not a good person. I don't know. That's the thing about people. There is no real good guy or bad guy [in A Valley Of Violence]. It's all context.
That was the thing: Once, the difference between light and dark had been basic. One was good, one bad. Suddenly, though, things weren’t so clear. The dark was still a mystery, something hidden, something to be scared of, but I’d come to fear the light, too. It was where everything was revealed, or seemed to be. Eyes closed, I saw only the blackness, reminding me of this one thing, the most deep of my secrets; eyes open, there was only the world that didn’t know it, bright, inescapable, and somehow, still there.
I did a play once where a reviewer said, 'Martin Freeman's too nice to play a bad guy.' And I thought: 'Well, bad guys aren't always bad guys, you know?' When I see someone play the obvious villain, I know it's false.
I have a bad reputation in England, and I don't know why. Maybe it's something that has just followed me. But one thing I always say is that 90% of the people I've played with would say I'm an amazing guy, a great teammate. Other people, those who work on the gate at every stadium I've played at, will tell you I am a humble guy and a nice person.
I don't know what it is that I do, but when I play a really bad guy, I'm able to bring some level of likability to it.
I think there's something so attractive about mystery. There's something so attractive about the chase. And the bad guy ... bad boys know how to keep the chase going throughout an entire relationship because you never know if you completely have them or not. That's why they're so hard to get over.
Why is it that people don't know what to say when something bad has happened to someone they know? Maybe because they think there are some magic words that will make everything all right again, only they don't know what the words are.
I always knew I'd be in music in some sort of capacity. I didn't know if I'd be successful at it, but I knew I'd be doing something in it. Maybe get a job in a record store. Maybe even play in a band. I never got into this to be a star.
I will watch a movie that is quote unquote dark and not get the qualification of what is dark and what is not.
I feel privileged that I've been able to get anywhere, with my quote-unquote limited mainstream appeal, given my race and subject matter. Of course, I always have my masters to fall back on.
America has always been fascinated with the bad guy that's probably why I'm still here. I'm not just living off my bad guy image cuz at the end of the day nobody wants to be bad forever.
Everything you need to know is right there inside, waiting for you to tap in and discover it, and then hopefully do something about it.
I don't even know why, but I've just always done it - I don't walk on handicapped parking spaces. I don't like to step on the blue lines. I always step over them. I don't know what the deal is. I don't know if it's a fear of injury, or a disrespectful thing, or if I just don't want to think about something like that happening.
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